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Where myth meets history — Tartaria, the Old World, and other historically engaging topics. All welcome. ⚡️ www.tartariabritannica.com
12 Foot Giants found during a project know as The Little River Drainage District.
Clippings from The Hutchinson Gazette published in Hutchinson, Kansas on 12/17/1913 and Monroe County Mail, 18th December 1913.
X
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🇪🇸 Montaña Nemrut, Turquía
El montículo de escombros tiene 49 metros de altura y 152 metros de diámetro y está rodeado por tres terrazas al norte, oeste y este.
En las terrazas occidental y oriental se pueden ver grandes estatuas, que fueron decapitadas y sus cabezas colocadas frente a las estatuas.
El sitio fue descubierto en 1881 por el ingeniero alemán Karl Sester. Pero aún a día de hoy no se sabe lo que es este lugar.
🇬🇧 Nemrut Mountain, Turkey
The rubble mound is 161 ft high and 499 ft in diameter and is surrounded by three terraces to the north, west and east.
On the western and eastern terraces you can see large statues, which were beheaded and their heads placed in front of the statues.
The site was discovered in 1881 by the German engineer Karl Sester. But even today it is not known what this place is.
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Là où les mots manquent, la musique parle.
Hans Christian Andersen
🇬🇧 Where words fail, music speaks.
Hans Christian Andersen
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🇪🇸 El Kailasha mandir, Ellora, India
El mandir ha sido completamente tallado en un lecho de roca basáltica, de arriba a abajo.
Se excavaron casi 400.000 toneladas de piedra para crear esta maravilla.
Sorprendentemente, no se encontraron escombros en un radio de 100 km alrededor del mandir.
Estas construcciones no se llevaron a cabo con herramientas rudimentarias, sino con la tecnología avanzada de la antigua Bharatiya.
🇬🇧 The Kailasha Mandir, Ellora, India
The mandir has been completely carved out of a basalt bedrock, from top to bottom.
Almost 400,000 tons of stone were excavated to create this wonder.
Surprisingly, no debris was found within a radius of 62 miles around the mandir.
These constructions were carried out not with rudimentary tools, but with the advanced technology of ancient Bharatiya.
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🇮🇹 Mason Robert Pershing Wadlow è nato ad Alton, Illinois, USA, il 22 febbraio 1918.
All'età di 12 anni, la sua altezza era di 180 cm e il suo peso era di 120 kg.
Nel 1939, Wadlow fu iniziato in una loggia locale e l'anno successivo morì e la sua bara fu esposta al pubblico.
Quando fu misurata l'ultima volta il 27 giugno 1940, la sua altezza era di 2,72 m (8 piedi 11,1 pollici).
🇦🇺 Mason Robert Pershing Wadlow was born in Alton, Illinois, USA, on 22 February 1918.
At the age of 12, he was 180 cm tall and weighed 120 kg.
In 1939, Wadlow was initiated into a local lodge and died the following year and his coffin was put on public display.
When he was last measured on 27 June 1940, his height was 2.72 m (8 feet 11.1 inches).
🇧🇷 Mason Robert Pershing Wadlow nasceu em Alton, Illinois, EUA, em 22 de fevereiro de 1918.
Aos 12 anos de idade, ele tinha 180 cm de altura e pesava 120 kg.
Em 1939, Wadlow foi iniciado em uma loja local e morreu no ano seguinte, e seu caixão foi colocado em exposição pública.
Quando foi medido pela última vez, em 27 de junho de 1940, sua altura era de 2,72 m (8 pés e 11,1 polegadas).
🇫🇷 Mason Robert Pershing Wadlow est né à Alton, Illinois, États-Unis, le 22 février 1918.
À l'âge de 12 ans, il mesure 180 cm et pèse 120 kg.
En 1939, Wadlow a été initié dans une loge locale. Il est décédé l'année suivante et son cercueil a été exposé au public.
La dernière fois qu'il a été mesuré, le 27 juin 1940, sa taille était de 2,72 m (8 pieds 11,1 pouces).
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🇮🇹 Antiche tombe sull'isola giapponese di Okinawa
Presta attenzione alla forma e all'architettura di queste tombe: sembrano completamente diverse dalla maggior parte degli edifici dell'antichità.
Le curve morbide della struttura della tomba sollevano molte domande, ed è semplicemente impossibile fare qualcosa del genere manualmente, non importa quanto duramente gli scienziati moderni ce lo dimostrino.
🇦🇺 Ancient tombs on the Japanese island of Okinawa
Pay attention to the shape and architecture of these tombs: they look completely different from most buildings of antiquity.
The smooth curves of the tomb structure raise many questions, and it is simply impossible to do something like this manually, no matter how hard modern scientists try.
🇧🇷 Tumbas antigas na ilha japonesa de Okinawa
Preste atenção na forma e na arquitetura dessas tumbas: elas parecem completamente diferentes da maioria das construções da antiguidade.
As curvas suaves da estrutura da tumba levantam muitas questões, e é simplesmente impossível fazer algo assim manualmente, por mais que os cientistas modernos tentem.
🇫🇷 Tombes anciennes sur l'île japonaise d'Okinawa
Prêtez attention à la forme et à l'architecture de ces tombes : elles sont complètement différentes de la plupart des bâtiments de l'Antiquité.
Les courbes douces de la structure des tombes soulèvent de nombreuses questions, et il est tout simplement impossible de faire quelque chose comme cela manuellement, quels que soient les efforts des scientifiques modernes.
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🇮🇹 Fai di me un prato. Con tanta luce.
E poi aggiungici un cielo, come vuoi tu.
E’ lì che io ti aspetterò.
(Fabrizio Caramagna)
Buongiorno anime belle 🍀
🇦🇺 Make me a meadow. With lots of light.
And then add a sky, as you wish.
That's where I will wait for you.
(Fabrizio Caramagna)
Good morning beautiful souls 🍀
🇧🇷 Faça um prado para mim. Com muita luz.
E depois adicione um céu, como desejar.
É lá que eu esperarei por você.
(Fabrizio Caramagna)
Bom dia, lindas almas 🍀
🇫🇷 Fais-moi une prairie. Avec beaucoup de lumière.
Et puis ajoute un ciel, comme tu le souhaites.
C'est là que je t'attendrai.
(Fabrizio Caramagna)
Bonjour belles âmes 🍀
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La lampe au carbure de calcium, une invention géniale de la fin du XIXe siècle, produit de la lumière grâce à une simple réaction chimique : lorsque l'eau rencontre le carbure de calcium, il se forme du gaz acétylène.
Ce gaz s'enflamme pour créer une flamme vive, ce qui en faisait un choix populaire pour les mineurs et les chemins de fer avant l'essor de l'éclairage électrique. Bien qu'elles soient largement remplacées aujourd'hui, ces lampes intriguent toujours les amateurs d'aventures en plein air et de certaines utilisations industrielles.
Avec une durée de combustion de plusieurs heures sur une seule charge, la lampe au carbure de calcium a non seulement éclairé le passé, mais a également suscité l'innovation dans l'éclairage artificiel.
🇬🇧 The calcium carbide lamp, a brilliant invention from the late 19th century, produces light through a simple chemical reaction: when water meets calcium carbide, acetylene gas is formed.
This gas ignites to create a bright flame, making it a popular choice for miners and railways before the rise of electric lighting. Although largely replaced today, these lamps still intrigue enthusiasts for outdoor adventures and certain industrial uses.
With a burn time of several hours on a single charge, the calcium carbide lamp not only illuminated the past but also sparked innovation in artificial lighting.
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🇪🇸 Curiosa similitud entre huesos y rocas.
¿Serán huesos de gigantes?
¿En qué se diferencia el interior de un hueso humano del interior de algunas rocas?
La ciencia cuenta su hipótesis sobre las rocas erosionadas, pero ¿y si todo es diferente…?
🇬🇧 Curious similarity between bones and rocks.
Are they the bones of giants?
How is the inside of a human bone different from the inside of some rocks?
Science tells its hypothesis about weathered rocks, but what if everything is different...?
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The pyramid of Saint-André.
This ancient pyramid of Saint-André, over 50 meters high and 200 meters at its base, was located northeast of Nice, dating back to 4000 BC and was an important historical record of European civilization on the continent before the Roman Empire and the advent of Christianity.
However, despite its historical importance, the pyramid was completely demolished in the 1970s to make way for the freeway.
🇮🇹 È stato chiesto ad un'intelligenza artificiale di mostrare come fossero state costruite le piramidi egizie
🇧🇷 Uma inteligência artificial foi solicitada a mostrar como as pirâmides egípcias foram construídas
🇬🇧 An artificial intelligence was asked to show how the Egyptian pyramids were built
🇨🇵 On a demandé à une intelligence artificielle de montrer comment les pyramides égyptiennes ont été construites
CONSAPEVOLEZZA PLAN-ET-ARIA
dalla psicosi alla realtà:
risveglio dai grandi inganni storici e geografici :
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🇮🇹 È subito evidente che mettono l'anima nel lavoro!.
Vetrata smaltata in favolose scene di prezioso mestolo.
🇦🇺 It is immediately evident that they put their soul into their work!
Glazed glass in fabulous precious ladle scenes.
🇧🇷 É imediatamente evidente que eles colocam sua alma em seu trabalho!
Vidro esmaltado em fabulosas cenas de conchas preciosas.
🇫🇷 Il est immédiatement évident qu'ils mettent toute leur âme dans leur travail !
Verre émaillé dans de fabuleuses scènes de louches précieuses.
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🇮🇹 Che splendore questi alberi lunghi 6 chilometri.
🇦🇺 What splendour these six-kilometre-long trees.
🇧🇷 Que esplendor essas árvores de seis quilômetros de comprimento.
🇫🇷 Quelle splendeur que ces arbres de six kilomètres de long.
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🇪🇸 Esto fue Tartaria
Una breve pero completa explicación de cuándo surgió, cómo era, y cuándo, por qué y quienes acabaron con esta grandiosa civilización mundial.
🇬🇧 This was Tartaria
A brief but complete explanation of when it arose, what it was like, and when, why and who have ended this great world civilization.
👉🏻otro video relacionado👈🏻
👉🏻another related video👈🏻
Thanks Ram Rod.
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🇮🇹 Lascio i doveri in città, chiudo le lancette e i calendari dentro a una scatola e vado al mare. Il tempo non è più un tiranno, ma un’onda che scivola leggera sull’acqua.
(Fabrizio Caramagna)
Buongiorno anime belle 🌊
🇦🇺 I leave my duties in the city, close the hands and calendars inside a box and go to the sea. Time is no longer a tyrant, but a wave that glides lightly over the water.
(Fabrizio Caramagna)
Good morning beautiful souls 🌊
🇧🇷 Deixo meus afazeres na cidade, fecho os ponteiros e os calendários em uma caixa e vou para o mar. O tempo não é mais um tirano, mas uma onda que desliza levemente sobre a água.
(Fabrizio Caramagna)
Bom dia almas lindas 🌊
🇫🇷 Je quitte mes fonctions à la ville, je ferme les aiguilles et les calendriers dans une boîte et je vais à la mer. Le temps n'est plus un tyran, mais une vague qui glisse légèrement sur l'eau.
(Fabrizio Caramagna)
Bonjour belles âmes 🌊
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地質学を覆す仮説 10月のまとめ動画完成です。
先日のLIVEに補足動画と字幕を入れました
全5回に分けた動画となると思います、3年間の取材の集大成となります。是非ご視聴ください
The hypothesis that overturns geology October's summary video has been completed.
I added a supplementary video and subtitles to the LIVE the other day.
I think it will be a video divided into 5 episodes in total, and it will be the culmination of 3 years of interviews. Please watch it by all means
https://youtu.be/omJH9bmGBvQ?si=7gu2A9IzlBoB97s5
La notion selon laquelle certaines montagnes pourraient en fait être les restes d'anciennes souches d'arbres qui ont subi le processus de pétrification mérite une exploration considérable. La tableland de Jugurtha en Tunisie, qui s'élève à près de 2 000 pieds (600 mètres) au-dessus des plaines environnantes, présente un cas intrigant. Cette large mesa mesure environ 4 900 pieds (1 500 mètres) de longueur et 1 600 pieds (500 mètres) de largeur, couvrant près de 80 hectares. Le concept de géants anciens pétrifiés évoque des implications fascinantes sur l'histoire géologique de notre planète et les processus qui pourraient conduire à de telles formations remarquables.
🇬🇧 The notion that some mountains may in fact be the remains of ancient tree stumps that have undergone the process of petrification merits considerable exploration. The Jugurtha tableland in Tunisia, which rises almost 2,000 feet (600 meters) above the surrounding plains, presents an intriguing case in point. This broad mesa measures some 4,900 feet (1,500 metres) in length and 1,600 feet (500 metres) in width, covering almost 80 hectares. The concept of petrified ancient giants evokes fascinating implications about the geological history of our planet and the processes that might lead to such remarkable formations.
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👉 la petite flèche 👉
🇮🇹 La Grotta degli Occhi di Dio in Bulgaria è una meraviglia naturale nota per le sue aperture uniche nel tetto che formano due grandi "occhi" che guardano il cielo.
La luce del sole che penetra attraverso questi “occhi” crea un suggestivo gioco di luci e ombre, riempiendo la grotta di un'atmosfera magica.
Gli "Occhi di Dio" sembrano gli occhi di un antico gigante che guarda il mondo. Quando la luce irrompe attraverso questi fori, sembra che qualcuno stia scrutando nelle profondità della grotta, dotandola di poteri mistici.
Secondo le leggende, questi sono gli occhi dello spirito più antico, che custodisce la terra e i suoi segreti, vegliando su chiunque osi penetrare nei suoi possedimenti sotterranei.
🇦🇺 The Cave of the Eyes of God in Bulgaria is a natural wonder known for its unique openings in the roof that form two large 'eyes' looking into the sky.
The sunlight penetrating through these 'eyes' creates an evocative play of light and shadow, filling the cave with a magical atmosphere.
The 'Eyes of God' look like the eyes of an ancient giant looking down on the world. When light bursts through these holes, it seems as if someone is peering into the depths of the cave, endowing it with mystical powers.
According to legends, these are the eyes of the most ancient spirit, who guards the earth and its secrets, watching over anyone who dares to penetrate its underground possessions.
🇧🇷 A Cave of the Eyes of God (Caverna dos Olhos de Deus), na Bulgária, é uma maravilha natural conhecida por suas aberturas exclusivas no teto que formam dois grandes "olhos" voltados para o céu.
A luz do sol que penetra por esses "olhos" cria um jogo sugestivo de luz e sombra, enchendo a caverna com uma atmosfera mágica.
Os "Olhos de Deus" parecem os olhos de um antigo gigante olhando para o mundo. Quando a luz irrompe por esses orifícios, parece que alguém está espiando as profundezas da caverna, dotando-a de poderes místicos.
De acordo com as lendas, esses são os olhos do espírito mais antigo, que guarda a terra e seus segredos, vigiando qualquer um que se atreva a penetrar em suas possessões subterrâneas.
🇫🇷 La grotte des Yeux de Dieu, en Bulgarie, est une merveille naturelle connue pour ses ouvertures uniques dans le toit qui forment deux grands "yeux" regardant vers le ciel.
La lumière du soleil pénétrant à travers ces "yeux" crée un jeu d'ombres et de lumières évocateur, imprégnant la grotte d'une atmosphère magique.
Les "yeux de Dieu" ressemblent aux yeux d'un ancien géant qui regarde le monde d'en haut. Lorsque la lumière jaillit par ces trous, on a l'impression que quelqu'un scrute les profondeurs de la grotte et lui confère des pouvoirs mystiques.
Selon les légendes, il s'agit des yeux de l'esprit le plus ancien, gardien de la terre et de ses secrets, qui surveille quiconque ose pénétrer dans ses possessions souterraines.
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🇮🇹 Stai pensando a Pompei o Ercolano?
No, questa è Efeso, una città
dell'Asia Minore (Antolia, la moderna Türkiye). Queste case a schiera sul fianco della montagna furono sepolte da una frana causata dal terremoto del 614.
Mosaico romano, Efeso, II-IV secolo d.C.
🇦🇺 Are you thinking of Pompeii or Herculaneum?
No, this is Ephesus, a city
of Asia Minor (Antolia, modern Türkiye). These terraced houses on the mountainside were buried by a landslide caused by the 614 earthquake.
Roman mosaic, Ephesus, 2nd-4th century AD.
🇧🇷 Você está pensando em Pompeia ou Herculano?
Não, essa é Éfeso, uma cidade
da Ásia Menor (Antólia, atual Turquia). Essas casas com terraços na encosta da montanha foram soterradas por um deslizamento de terra causado pelo terremoto de 614.
Mosaico romano, Éfeso, séculos II a IV d.C.
🇫🇷 Pensez-vous à Pompéi ou à Herculanum ?
Non, il s'agit d'Éphèse, une ville d'Asie Mineure (Antolie, l'actuelle Türkiye).
d'Asie Mineure (Antolie, actuelle Türkiye). Ces maisons en terrasses à flanc de montagne ont été ensevelies par un glissement de terrain provoqué par le tremblement de terre de 614.
Mosaïque romaine, Éphèse, IIe-IVe siècle apr.
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🇪🇸 Puzzles perfectos de bloques de piedras asimétricas
En antiguas civilizaciones de todo el mundo construían las paredes de sus edificaciones con bloques de piedra asimétricos y los encajaban a la perfección, incluso con bloques perteneciendo a ambas paredes perpendiculares en la misma esquina.
La técnica de corte era precisa al milímetro. Probablemente usaron lasers muy potentes o la luz del sol a través de lentes Kernel, o derretían la piedra en moldes y la solidificaban de nuevo.
🇬🇧 Perfect puzzles of asymmetrical stone blocks
In ancient civilizations around the world they built the walls of their buildings with asymmetrical stone blocks and they fit them perfectly, even with blocks belonging to both perpendicular walls in the same corner.
The cutting technique was precise to the millimeter. They probably used very powerful lasers or sunlight through Kernel lenses, or melted the stone into molds and solidified it again.
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🧭 Du conformisme social 🙈
De la salle d attente…
Cette expérience, montre à quel point, comme les singes, de la première vidéo nous pouvons nous conformer à la pression du groupe.
🇬🇧 Social conformity 🙈
From the waiting room...
This experiment, shows how much, like the monkeys, from the first video we can conform to group pressure.
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👉 la petite flèche 👉
🇪🇸 El Panteón, Roma
El Panteón con el Puerto de Ripetta, 1766, fue pintado por Hubert Robert (1733–1808).
El Panteón de Roma ha permanecido prácticamente intacto durante 1.700 años.
Este edificio emblemático es el edificio romano antiguo mejor conservado y se completó durante el reinado del emperador Adriano en el año 125 d.C.
El Panteón sigue ahí, pero ¿dónde está el Puerto de Ripetta frente al Panteón? ¿Qué pasó con el nivel del suelo y del agua?
¿El Mudflood lo tapó?
🇬🇧 The Pantheon, Rome
The Pantheon with the Port of Ripetta, 1766, was painted by Hubert Robert (1733-1808).
It has remained practically intact for 1,700 years.
This emblematic building is the best preserved ancient Roman building and was completed during the reign of Emperor Hadrian in 125 AD.
The Pantheon is still there, but where is the Ripetta Port in front of the Pantheon? What happened to the ground and water level?
Did the Mudflood cover it up?
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発見時のマチュピチュ そもそもこういう遺跡が19世紀以降ばかりに発見されている事実が大災害の証拠なのです。この場所に建築出来る技術や輸送力があった人類が見つけられないわけ無いでしょ
難しく考えなくて良い
山は全て溶けた建物なんですから
Machu Picchu at the time of discovery In the first place, the fact that such ruins have only been discovered since the 19th century is evidence of a catastrophic disaster. There is no way that humans who have the technology and transportation power to build in this place can't be found.
You don't have to think hard
Because all the mountains are melted buildings
TARTARIAJAPAN🇯🇵
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🇮🇹 Teotihuacan - Complessi semisotterranei e fuori terra degli Antichi. I turisti non sono ammessi in molti complessi sotterranei, come in Egitto, tra l'altro...
🇦🇺 Teotihuacan - Semi-subterranean and above-ground complexes of the Ancients. Tourists are not allowed in many underground complexes, as in Egypt, by the way...
🇧🇷 Teotihuacan - Complexos semissubterrâneos e acima do solo dos antigos. Os turistas não têm permissão para entrar em muitos complexos subterrâneos, como no Egito, por exemplo...
🇫🇷 Teotihuacan - Complexes semi-souterrains et en surface des Anciens. Les touristes ne sont pas autorisés à pénétrer dans de nombreux complexes souterrains, comme en Égypte d'ailleurs...
✨✨✨🙏✨✨✨
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@TARTARIAthetruth
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Milano walls dated 1150 found during M4 excavations....
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🇮🇹 La sfera armillare è un modello complesso dei meccanismi planetari della Travatura...
🇦🇺 The armillary sphere is a complex model of the planetary mechanisms of the Trav...
🇧🇷 A esfera armilar é um modelo complexo dos mecanismos planetários do sistema de travessia...
🇫🇷 La sphère armillaire est un modèle complexe des mécanismes planétaires de l'univers de Trav...
✨✨✨🙏✨✨✨
/channel/ioanima
/channel/galliactica
/channel/orgoniteitalia
@TARTARIAthetruth
/channel/tartariabrazil
/channel/Du_Labyrinthe_aux_Hypotheses
/channel/TARTARIAITALIACHANNEL
🇮🇹 Antica energia libera .. le religioni sono state create per nascondere la precedente civiltà iper tecnologia prima dell'ultimo Grande Reset..
🇧🇷 Antiga energia livre.. as religiões foram criadas para esconder a antiga civilização hipertecnológica antes da última Grande Reinicialização..
🇬🇧 Ancient free energy.. religions were created to hide the ancient hyper tech civilization before the last Great Reset..
🇨🇵 L'énergie libre ancienne... les religions ont été créées pour cacher la civilisation hyper-technologique précédente avant la dernière Grande Réinitialisation.
CONSAPEVOLEZZA PLAN-ET-ARIA
dalla psicosi alla realtà:
risveglio dai grandi inganni storici e geografici :
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