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💬🌳🏛🖼️📜 Quotes, nature, architecture, art and history about our homeland, Europe.

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Traditional Europe

"Valkyrie's Death", Peter Nicolai Arbo

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Traditional Europe

"We become what we love, and who we love shapes what we become."

— Clare of Assisi

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Traditional Europe

"Apollo and Daphne", Jakob Auer


📸 Kunsthistorisches Museum, Vienna, Austria.

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Tyr placing his hand in the jaws of Fenrir, by John Bauer.

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Traditional Europe

"The Days of Creation: The Sixth Day", Edward Burne-Jones, British

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Sainte-Chappelle, Paris, France

Situated in the Ile-de-la-Cité, the Sainte-Chapelle is part of the Palais de la Cite, the residence of the royalty during the 10th to the 14th century.

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Traditional Europe

Anglo-Saxon glass drinking-horn, VII c. Excavated in Rainham, London

Drinking horns are attested from Viking Age Scandinavia. In the Prose Edda, Thor drank from a horn that unbeknown to him contained all the seas. They also feature in Beowulf, and fittings for drinking horns were also found at the Sutton Hoo burial site. Carved horns are mentioned in Guðrúnarkviða II, a poem composed about 1000 AD and preserved in the Poetic Edda.



📸 The British Museum

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Wahnfried House, Bayreuth, Germany

Wahnfried was the name given by Richard Wagner to his villa in Bayreuth. The name is a German compound of Wahn (delusion, madness) and Fried(e) (peace, freedom).

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"The Magdalen Holding the Crown of Thorns" by Peter Paul Rubens (1577–1640)


📸 The Schorr Collection

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Florentine Cabinet, Favorite Schloss, Rastatt, Baden-Wurttemberg, Germany,

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Duck’s foot pistol

Commonly known as a “Duck’s Foot” pistol, this example made by G. Goodwin & Company of London was designed for use by British naval officers. Its four barrels fired simultaneously, a distinct advantage if its user was attacked. The “Duck’s Foot” guns were also known as “volley” guns.



📸 Winchester Arms Collection

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Traditional Europe

"Christmas Eve at the Grave", by Otto Hesselbom, 1896

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Old Bodleian Library, University of Oxford.

Is the main library of Oxford University, one of the oldest libraries in Europe and the UK and the second largest library with more than 12 million books.

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Copenhagen, Denmark

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The god Víðarr "The silent". stands in the jaws of Fenrir and swings his sword.

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Hungarian Medieval Knight Miklós (Nicholas) Toldi fighting wolves in the forest. Sculpture of János Fadrusz (1903).

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Auer Church, Lofer, Austria

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Freikorps unit takes to the streets in Berlin during unrest in the years of the Weimar Republic. Circa 1923

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A Roman canteen from the 4th century AD. discovered at Seynod, Haute-Savoie, France.

Archaeologists from the National Institute for Preventive Archaeological Research (INRAP) were excavating the site near a future commercial area when they unearthed the remains of a Roman-era sacred precinct with at least two, perhaps three small temples and 42 pits in which religious offerings were deposited. The canteen was found in one of them.

It is an iron and copper alloy flask called a laguncula that was part of the standard gear of the Roman legionary. It is one of only three ever discovered in Gaul one of very few complete ones ever found anywhere.

The canteen had a padlock, suggesting that it was used to carry something more meaningful than the water or oil that legionaries carried with them on campaigns. By an extreme stroke of archaeological good fortune, the flask contains organic residue. Researchers were able to draw four samples of it during the conservation process. Analysis revealed that it was mostly millet with small quantities of blackberries and dairy. There are also traces of pitch from a conifer and plant material with high levels of oleanolic acid (olive or olive oil, I’d guess). All the ingredients had been heated or cooked together. This was almost certainly a food offering.

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For the ancient Romans, January was significant because it was the month dedicated to the god Janus (hence Ianuarius, which means January in Latin).

According to Roman mythology, Janus is the two-faced god, associated with beginnings and endings, as well as transitions and passages.

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Farmer and farmer's wife working in the hayloft, 1960 - by W.L. Stuifbergen, Dutch

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"The very purpose of a knight is to fight on behalf of a lady."

— Thomas Malory

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Cenomani gold coin 5 to 1st century BCE French Gaul

The Cenomani was an ancient tribe of the Cisalpine Gauls, who occupied the tract north of the Padus (modern Po River), between the Insubres on the west and the Veneti on the east.

Their territory appears to have extended from the river Addua (or perhaps the Ollius, the modern Oglio) to the Athesis (modern Adige).

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Etruscan pendant with swastika symbols Bolsena Italy 700 BCE to 650 BCE.

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"You are nothing, your people are everything"

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Statue of Juno Sospita


📸 Rome, Vatican Museums

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Marburg, Germany (by Christian Lue)

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When the Hangman Ruled, from 'The Story of France', 1974

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The Vyne Ring or the Ring of Silvianus

Thought to be fourth-century, it is made of 12g of gold and comes with an intriguing tale. It was discovered in 1785 by a farmer in a field at Silchester (the Roman town Calleva Atrebatum), in Hampshire, not far from The Vyne. No one knows how the ring came to The Vyne Tudor house, but there it has stayed.

Moving on to the early 19th century, and, 100 miles away, at Lydney in Gloucestershire (once the site of a Roman temple), a small leaden tablet, also from the fourth century, was found. On it was engraved a curse imprecating woe on the person – one Senicianus – who had taken this very ring. The curse named the owner of the ring as Silvianus, and in the text he called upon the god Nodens, a Celtic deity adopted by the Romans, for help.

In the 1920s the archaeologist Sir Mortimer Wheeler was directing excavations at Lydney. Aware of the tablet (now in private hands) and its connection to the ring, he asked JRR Tolkien, scholar of Old and Middle English at Oxford, to look into ‘Nodens’. ‘Did Tolkien see the ring?’ asks Dominique Shembry, house steward at The Vyne. ‘We can’t be sure, but he was clearly aware of its connection to the tablet and its curse.’

The ring comes with unanswered questions. It is engraved with a primitive face and the word ‘VENVS’ is inscribed on the reverse. But is it Venus? ‘It could be a lion’s head,’ Dominique explains, ‘or the profile of a Celtic tribal chief, wearing a headband of feathers, or perhaps boar’s bristles, which were a symbol of fertility and strength. The ring is large, a modern size T, so it must have been worn on the thumb, or over a glove.’

What is known is that the curse clearly failed: Silvianus never had his piece returned. Yet the tale of a ring and a curse, thanks to Tolkien, lives on.

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Silver leaf disc dedicated to the sun-god Sol Invictus, 3rd century CE,


📸 The British Museum, London

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