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Visual aesthetic appreciation. Contact: @rye_cat Discussion: @datdisc Languages: russian, english Profile picture: Joy Bonfield Colombara All rights belong to their respective owners.
https://www.youtube.com/watch?v=gXUkSiV4Jzs
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Frank Cadogan Cowper
Lancelot Slays the Caitiff Knight Sir Tarquin and Rescues the Fair Lady and the Knight in Captivity (1957, oil on canvas)
https://www.wikiart.org/en/frank-cadogan-cowper
Tanya Preminger
Mamma (2000. stone. 20x30x12cm)
https://www.tanyapreminger.com/
Simon Stafford
The Aftermath (2017, photography)
"I wanted to depict the darker reality of the well-known wildebeest migration," says Simon. Returning after a stampede at first light he saw this pack of spotted hyenas gorging on the lifeless trampled bodies of those that didn’t survive. As one hyena momentarily broke from the feast, it gazed across in Simon’s direction.
In the surge to cross the Mara River the blue wildebeest struggle to climb the deep gullies they carve – many slip and perish under the hooves of those behind them. Spotted hyenas, with jaws powerful enough to crunch bones, will devour everything except the horns of their prey.
https://www.simonstafford.co.uk/
Eag
(2024, 3d modelling, texturing in Blockbench)
https://x.com/psychic_eag
Gabriela Reyes Fuchs
From the Dead Soon series (2017, human ashes under microscope)
"Dead Soon provides a profound experience that allows the viewer a glimpse into the inner universe of our physicality and its most finite representation (cremains) only to find notions of the moving cosmos, Gabriela Reyes Fuchs captured mesmerizing multicolored nebulae and fluorescence of unknown origin discovered when she looked at her father´s ashes utilizing a bright field microscope at UNAM’s MicroFilm Lab only days after his passage, "
https://www.gabrielareyesfuchs.com
Holly Lucero
Oil Well Dragon (2024)
https://www.artstation.com/sparrowlucero
Alexey Starkov
Aspic (2026, epoxy resin, meat, vegetables, old photo)
"In the aspic series, I explore memory as something tangible - as a physical substance.
I take familiar images - symbols of home archive, family gatherings, and recreate it literally, but in epoxy resin. Suspended within the transparent layer are chopped vegetables, pieces of meat, and found photographs. They appear like fragments of the past that have accidentally come to rest beside one another, fused together into a single body."
Bo Bartlett
The End of an Era (2019)
https://www.bobartlett.com/
Cyndy Salisbury
L'atmosphere Mask (2017, carta lana wool paper, artist acrylics and finishes, ribbon, brass hinges)
https://www.etsy.com/shop/TheArtOfTheMask
Eliran Kantor
Still Life (2025. The album cover of 'A Void Within Existence' by Abigail Williams)
https://elirankantor.com/
Alfredo Castañeda
Here Is The Center (1984)
Saul Steinberg
Kiss (1959, pencil on paper)
https://en.wikipedia.org/wiki/Saul_Steinberg
Jeremy Hanna
Concept art for Marathon (2026)
https://www.jeremyhanna.com/
Manuel Lariño
Gift of Time (2026, generative algorithmic network art, created using p5.js)
Time is the only material we can’t edit, pause, or duplicate. This piece is built moment by moment, shaped by systems that measure change and mold it into form.
https://mlarino.com/
Gill Parker
Félicette (2019, bronze)
In October 1963, a black-and-white stray from Paris named Félicette made history as the first and only cat to travel to space. Selected by French scientists for her calm demeanor, she soared 154 kilometers above Earth on a suborbital flight and returned safely.
Yet Félicette’s story is as tragic as it is groundbreaking. Just two months after her successful mission, she was euthanized so researchers could study the effects of space travel on her body. Her sacrifice yielded little scientific insight, and for decades, her name faded into obscurity.
That changed in 2019, when a statue was unveiled in her honor at the International Space University in Strasbourg, depicting her gazing toward the stars.
https://www.gillparker.com/
Michel Guhl
Incomplete Truth (2021, oil on canvas, 30x20cm)
https://www.itsallinsideus.com/
Sydney Bella Sparrow
Persimmons (2006, oil on canvas on panel, 24.13x24.13cm)
http://www.sydneybellasparrow.com/
Irina Zyuskina
White city (2021, tempera on board, 44x44cm)
irinazyuskina.com
A late 8th century illuminated gospel book produced at the court of Charlemagne in Aachen.[1] It was used by the future emperor at his coronation on Christmas Day 800, when he placed three fingers of his right hand on the first page of the Gospel of Saint John and took his oath. Manuscript consists of 236 crimson-dyed parchment pages with gold and silver ink text. The book is decorated with 16 plates and four portraits depicting the Evangelists. Cover was created by the goldsmith Hans von Reutlingen of Aachen c. 1500.
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Walton Ford
Koolo-kamba (2022, watercolor, gouache, and ink on paper, 152.4×106.7 cm)
https://gagosian.com/artists/walton-ford/