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Visual aesthetic appreciation. Contact: @rye_cat Discussion: @datdisc Languages: russian, english Profile picture: Joy Bonfield Colombara All rights belong to their respective owners.
Bastien Cuenot
(2025, multiple sockets, led lights)
Julius Jenny
Rebirth (2025, Oil on canvas,100x200 cm)
Célestin Krier
Album cover illustration for Smote (2025)
Egor Koshelev
Dunaev and the stomp (2022, acrylic on OSB, 125 х 250 cm, Illustration for "Mythogenic Love of Casts" by Sergey Anufriev and Pavel Pepperstein)
Tashi Mannox
Hog eats Cockerel eats Snake (2007, ink on water-colour paper, 57x76 cm)
In Buddhism, the concept of the “Three Poisons” refers to the fundamental mental states that lead to suffering and perpetuate the cycle of samsara. These poisons are represented by three animals: the pig, the bird, and the snake. Together, they symbolize ignorance, attachment, and aversion, respectively. These three negative states are considered the root causes of all suffering.
tashimannox.com/
Ivan Razumov
Мир (2022, oil on canvas, 170x130 cm)
vladey.net/en/artist/ivan-razumov
I’ve been thinking a lot about how much of our body could become an instrument.Читать полностью…
This started as an experiment using Mediapipe in TouchDesigner to track my head movement and overlay a reactive skull. When I open my mouth, it triggers laser beams. But the lasers aren’t just visuals, they’re connected to @vcvrack through OSC to control sound in real time.
I also track the distance between my fingers to control pitch and waveform, and added reactive rings above the skull that pulse with pitch data.
Performing with my mouth open the whole time was… surprisingly exhausting 😂
But it worked, and I had a lot of fun making it.
It took some serious trial and error to get the tracking and OSC sync working right, but I learned so much in the process. Definitely one of my favorite weird setups so far.
bebop.genesis
grab'n'go at the Petco (2025, AI prompting)
Steve McCurry
Fighters take refuge in National Museum in Kabul during civil war (1995, Afghanistan)
When the Taliban seized power in the 1990s, it is estimated that 70% of the ancient artifacts in the National Museum were destroyed. The area around the museum became the front line between the most brutal warring factions, but when the Taliban prevailed, the museum was looted and burned.
stevemccurry.com
Maurice Sand
Les Lubins (1858, Illustration for ''Légendes rustiques'' by George Sand)
According to George Sand’s text lubins aren’t quite werewolves. “Sorrowful, dreamy and stupid spirits,” she writes, “they spend their lives chatting in an unknown language along the walls of cemeteries. In some places they are accused of breaking into the field of rest and gnawing on bones. In the latter case, they belong to the race of lycanthropes and werewolves, and must be called lupins. But in the case of lubins, manners soften with the name. They do no harm and escape at the slightest sound.”
Sliman Mansour
Rooftops of Jerusalem (2012, oil on canvas)
https://slimanmansour.com/
Nick Sheehy
The Arch (2017, Watercolour, graphite on paper, 12x16”)
https://www.nicksheehy.com/
Mattias Nordeus
(2020, watercolor on paper)
Sukhi Barber
Synthesis (2019, 33x24x17cm)
https://sukhibarber.com/
Frederick Carter
The Balance (1918, wood engraving, illustration from "The Dragon of the Alchemists" )
James Jean
Coil (2024, digital painting)
https://www.jamesjean.com
Brent Wong
Matrix (1971)
https://art-newzealand.com/12-wong/
𝖨𝗏𝖺𝗇𝖺 𝖹̌𝗂𝗏𝗂𝖼́
Warmth (2016, oil on canvas, 60x50 cm)
ivanazivic.com
Toni Demuro
- (2025)
http://www.tonidemuro.com/
Lena Klukina
Strelka, on the verge of rage (2024)
Nicholas Roerich
Maitreya the Conqueror (1925)
Jacek Yerka
Evening Breeze (2023, acrylic on canvas,
51x60 cm)
yerkaland.com
Elly Strik
The mouth may be kissed (c.2014-15 ?)
Parker Steven Jackson
RABBITS! (2025)
https://parkersjackson.art/password