-
Send your memes in the discussion group to get them featured. @basedschizophrenia
there is no essence preceding the act.
‘i’m ready’ is therefore the eternal return of the same phonemic sequence, the zero-signifier of a subject evacuated of substance—an echo from a hollowed-out pineapple, reverberating in the abyssal silence of the sea
Russia bros… I thought Russia was heaven on earth 😭💔
Читать полностью…
Me in 2050: Hey, we good?
Rocco's basilisk looking through Deranged Posting's post history:
She won't apologize for her new car OR the speeding
Читать полностью…
on this day, we take a moment to remember a man who died doing what he loved
Читать полностью…
to invoke the nominal signifier ‘spongebob’ is already to concede to an aporetic impasse, a failure not of language but intrinsic to it. the signifier functions not as a stable referent for an ontological entity but as a spectral node within the ceaseless oscillation of différance, its meaning perpetually deferred. any attempt at a phenomenological grasp of his ‘being’ immediately dissolves into the iterability of the trace—what we apprehend is not a sponge but an anamorphic stain, a residue of spongiformity impressed upon the symbolic order’s signifying chain.
and yet, the labor persists. a ceaseless kinetic loop of patty-flipping, punctuated by the refrain “i’m ready,” which reads less as affirmation and more as a symptomatic injunction from the big other. a cursory glance might suggest a kantian framework—praxis divorced from pathological inclination, performed out of a duty derived from a noumenal, inaccessible sponge-in-itself. this reading, however, presupposes a unified subject of moral law. lacanian psychoanalysis demonstrates the fallacy: the spongebob-subject ($) is constitutively split, barred, and traversed by the discourse of the krusty krab’s institutional apparatus. the title “employee of the month” is not a reward but the master signifier (s1) that sutures his subjectivity, organizing the field of his jouissance—a surplus-enjoyment extracted not from the act itself, but from his successful interpellation into the ideological schema of krabby-capitalism.
a marxist gloss deepens the abyss. the relentless production of krabby patties is the site of alienated labor, generating surplus value expropriated by the bourgeois crustacean, mr. krabs. the patty itself, fetishized beyond its use-value, operates as a third-order baudrillardian simulacrum: a hyperreal object with no origin, endlessly reproduced as pure sign. plankton’s hysterical quest for the ‘secret formula’ thus reveals its true status as objet petit a—the void, the kernel of the real, the unattainable lack that sustains the entire libidinal economy of the bikini bottom diegesis.
shifting registers to a deleuzo-guattarian plane, ‘spongebob’ ceases to be a molar subject entirely. instead, we witness a desiring-machine connected to other machines—spatula-machine, grill-machine, patty-machine—within a machinic assemblage. his porous, absorptive body becomes a body without organs (bwo), a surface upon which flows of desiring-production are inscribed and deterritorialized. the patties flip themselves through a rhizomatic network of acentered connections; ‘spongebob’ is merely a temporary territorialization of these schizophrenic flows, a line of flight momentarily captured.
this ontological instability is further radicalized by a quantum perspective. is the patty ever discretely ‘flipped’? or does it exist in a superpositional smear of flipped/unflipped states, its wave function only collapsed into a single actuality by the measuring gaze of a cynical observer like squidward? here, his labor becomes a zone of radical indeterminacy, a quantum foam of potentiality where cause and effect break down.
finally, from a speculative realist or object-oriented ontological standpoint, we must dispense with correlationist frameworks altogether. both spongebob-object and krabby-patty-object withdraw into their own opaque, inaccessible reality, forever exceeding their relations to each other or to our discourse. the patty possesses a secret life beyond its flipping, and the sponge a withdrawn essence that no spatula can touch, no analysis can grasp. their interaction is a vicarious causation between two real objects, with our interpretation being merely a third object, equally isolated.
thus, the spongebob-event is a chiasmic intersection of irreconcilable logics: a kantian automaton, a lacanian hysteric, a marxist proletarian, a deleuzian schizo-flow, a hyperreal sign, a quantum probability field, and a withdrawn harmanian object. he flips not from will, but because the flipping is the condition of possibility for the signifier ‘spongebob’ to emerge at all.
Telegram User Identification via Facial Recognition
Users on Telegram’s test server have discovered an officially verified bot that scans faces using the camera — likely for identity verification purposes.
This bot’s development is presumably linked to a law that will soon take effect in the United Kingdom. The law requires websites and apps distributing adult content to verify the age of users seeking access to such material.
The @tginfo editorial team firmly believes that no identity verification requirements will be introduced for users outside the UK in the near future.
#UnitedKingdom
Are we forgetting Mr. Jameson's secretary all of the sudden?
Читать полностью…
Haters call it a syndrome, I call it the way to success
Читать полностью…