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A channel for true connoisseurs of art Collaboration: @Conntact_bot Buy ads: telega.io/channels/edgyart/card?r=B30MQxOy ❗️Dear subscribers, the channel administration is not responsible for advertising!

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"The Resurrection of Christopher Carion"

Clive Barker, 2007.

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Enrique Lombardo, "She had a heart!", 1890.

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The aesthetics of the retro anime "Ninja Manuscript" 1993

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"The Ugly Duchess"

Quentin Masseys

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Jean-Pierre Ceytaire

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"Nebuchadnezzar."

William Blake, 1805.

Blake emphasizes in every possible way the transition of man into an animal state. The muscular body of the hero clearly indicates that this is not a beast, but a formerly great man. But the torso is covered with hair, more like bare muscles, and the nails on the hands and feet turn into claws.

Nebuchadnezzar's human eyes attract the viewer's attention most of all: he looks downward, and his face is distorted with shock and disgust.

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Tomasz Setowski

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Dance with the devil

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"Suffering" (1878) is one of the most popular works in the National Gallery of Victoria (Melbourne, Australia)

A sheep stands in front of its dead lamb and cries out in grief. They are already surrounded by crows, and the muted hues convey an atmosphere of hopelessness.

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Fernando Botero

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Author Murαt Yildiym

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"Burning Giraffes and Telephones"

Salvador Dalí, 1937.

In Dalí's symbolic series, the burning giraffe is an image of the coming war. It appears on Dalí's canvases on the eve of the Second World War

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"Tower of Blue Horses"

Franz Marc, 1913.

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The Kiss of Death is a marble sculpture created in 1930 at the Poblenou Cemetery in Barcelona, Spain

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"Death"

Janis Rosenthal, 1897.

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Tammy Pasi's "I Can Take It All," 1998.

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Reynier Llanes, "Stay with Me," 2006.

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"Madonna in Particles"

Salvador Dali, 1952

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"Just a few scratches!"

Frida Kahlo, 1935.

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Oscar Cihoni

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Giuseppe Arcimboldo

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"Depression," 2016

Vasily Golubev

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Author Alexander Sviridov

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"Nude in a red armchair"

Pablo Picasso, 1929.

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Author unknown

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“I can’t let go”

Sculpture of Xie Longliang

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Sad and beautiful

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"Belvedere"

Mauritz Escher, 1958.

In 1958, physicist and mathematician Roger Penrose published an article on impossible figures in the British Journal of Psychology. This and other articles by the scientist inspired Escher to turn impossible geometry into impossible architecture. Thanks to Penrose, the world saw the "Belvedere"

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