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EDGY ART

Portrait of journalist Sylvia von Harden"

Otto Dix, 1926.

Sylvia von Harden was genuinely perplexed by the artist's desire to paint her portrait: "What exactly attracted you so much? My fat legs? Big feet? The sunken eyes? Long arms? Long nose? Thin lips? What exactly do you want to write?" He wanted to write it all. Because Sylvia von Harden was the epitome of the new woman, independent, passionate. Someone who didn't care what she looked like.

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Peter Grick

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"The revolver that convinced Van Gogh to remain immortal"

Victor Safonkin

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Stas Novikov

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Johannes Grützke

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"The Famous Elephant"

Max Ernst

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"A dream induced by the flight of a bee"

Salvador Dali

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"Thank You for Dreaming" (2012), Novosyolov Alexander

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Golubev Vasily "The End", 2010

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"Death"

Janis Rosenthal, 1897.

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Tammy Pasi's "I Can Take It All," 1998.

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Reynier Llanes, "Stay with Me," 2006.

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"Madonna in Particles"

Salvador Dali, 1952

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"Just a few scratches!"

Frida Kahlo, 1935.

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Oscar Cihoni

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Viktor Pivovarov

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"Spirit of the Forest"

Odilon Redon, 1880.

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Judah Lillard

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Jeff Lee Johnson

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Roberto Ferri

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Wojciech Südmak

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"Untitled 104"

Zdzislaw Beksiński, 1984.

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"Beethoven listens to his muse"

Ludovic Allaume, 1930

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"The Resurrection of Christopher Carion"

Clive Barker, 2007.

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Enrique Lombardo, "She had a heart!", 1890.

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The aesthetics of the retro anime "Ninja Manuscript" 1993

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"The Ugly Duchess"

Quentin Masseys

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Jean-Pierre Ceytaire

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"Nebuchadnezzar."

William Blake, 1805.

Blake emphasizes in every possible way the transition of man into an animal state. The muscular body of the hero clearly indicates that this is not a beast, but a formerly great man. But the torso is covered with hair, more like bare muscles, and the nails on the hands and feet turn into claws.

Nebuchadnezzar's human eyes attract the viewer's attention most of all: he looks downward, and his face is distorted with shock and disgust.

𝓔𝓭𝓰𝓲 𝓐𝓻𝓽

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Tomasz Setowski

𝓔𝓭𝓰𝓲 𝓐𝓻𝓽

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