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“My dream, my bad dream”
Fritz Schwimbeck, 1915.
Since ancient times, the nightmare has been considered an evil spirit that comes during the dark hours of the night and suffocates people. This demon can take many forms, up to and including the most horrific creatures. For many years, this subject of night terrors was an unspoken taboo among people of art.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
He should become the promotional face of the World Of Warcraft universe. He'd make a lot of money in the time he has left. Because sooner or later, the body's gonna pay for everything.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
The melancholy “blue” period of Pablo Picasso's work
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
David Bowie and “Selfie-portrait” by Egon Schiele, 1911
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“A friendly embrace of the universe, the earth (Mexico), Me, Diego and Señor Holotl”
Frida Kahlo, 1949.
The couple divorced in 1939 but remarried under the influence of passion and admiration. Rivera once called Frida “the greatest fact of my life.” She, however, meaning almost killed her accident with a streetcar, said: “There were two accidents in my life: one was when the bus hit the streetcar, and the other was Diego. Diego was by far the worst.”
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“The Devil showing a woman to the people”
Ernst Greiner, 1898
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“The Drowned Woman”
Djordje Krstic, 1879.
Among the possible interpretations of what is happening in the painting is a fairly common plot of those times: an illegitimate child, the condemnation of society, the hopelessness of the situation, the despair that pushed the woman to suicide. In general, a social drama with a tragic ending.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“The Plague on the Stairs”
Theodore Kittelsen, 1896.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“The Hanged Men”
Leon Spilliart, 1912.
In the maelstrom of artistic life in the 1920s, Leon Spilliart stood apart. His slightly gloomy and melancholy paintings had all the hallmarks of classical Symbolism, although they did not have the “pessimism of despair” preached by the founding fathers of Expressionism.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“Woman with dead child”
Käthe Kohlwitz, 1908.
The artist depicted a breathless little body with its mother bent over it. Kolvitz's choice of brown and dark blue coloring also adds to the atmosphere. The figures seem to emerge from the blackening void and transport the viewer into the existential space of the mother's experiences.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“Self-Portrait”
Egon Schiele, 1911.
The artist's haggard, haggard figure, gaunt and angular, bristles with internal tension, visible through agitated pencil line and a white-colored surrounding aura. Schiele stares wildly, his large dark eyes glittering menacingly, his mouth open and his mop of hair standing up.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“Minotaur with a dead horse in front of a cave”
Pablo Picasso, 1953.
For Picasso, the bull-headed monster was a symbol of the duality of human nature, and in his painting he depicted lust and cruelty. Although the kindness of the Minotaur's eyes and his smile are strangely appealing, he holds a horse crushed by his own hands, reaching out toward a girl who looks at him in fright. To the left, out of the darkness of the cave, another pair of hands can be seen in a pleading gesture.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“A witch reading her magic book”
Félicien Rops, 1909
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“Man in a Cauldron”
René Magritte, 1963.
It was the mystery, the sense of wonder that attracted Magritte and distinguished him from most of his fellow surrealists. He rigidly adhered to his canon of flat measurements and frozen images. What he wanted and what he achieved in his best works was not so much to challenge the viewer as to intrigue him to see life freed from the concrete and the present.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“Adam in Three Persons”
Rudolf Hausner, 1974-1975.
The vertical composition consists of three faces - three states of consciousness. The upper figure is a child, it symbolizes the starting point of everything, the beginning of life. Below it are two stages: sleep - Adam with closed eyes - and wakefulness.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“Leprosy”
Richard Cooper, 1910.
Lepers were particularly susceptible to bubonic plague and tuberculosis. The patient's weakened immune system would immediately fail. Therefore, people were afraid to meet the leper depicted in the painting, who wanders along the deserted street and rings a bell. The tragedy of the situation is intensified by the figure of a small child, who was left by the roadside by his parents who fled in a hurry.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
"The Duke and his mistress"
Eugène Delacroix, 19th century.
Louis, Duke of Orleans liked to seduce noble ladies of the court. Having slept with one of them, the morning he received in his bedroom her husband, who appeared to testify to the Duke of his honor; covering the head of the lady with a sheet. He exposed her whole body and, allowing her husband to look at and even touch him (without seeing his face), persistently asked if he liked this beautiful stranger; the husband was amazed by the beauty of her body; finally the Duke graciously released him, and the poor man went away, never knowing that he was admiring his own wife.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽
“The Tourist”
Hans Rudolf Giger, 1982.
For the studio “Universal” Giger in 1982 creates several impressive pictures - preparations are underway for the dystopian sci-fi film “The Tourist”. However, Spielberg's “Alien” prevented the success of the movie.
𝓔𝓭𝓰𝓲 𝓐𝓻𝓽