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that something was off during that final moment, maybe that feeling is the most honest clue of all.

It’s not about refusing the truth. It’s about acknowledging that Requiem gives us more than one truth.

Postscript: Room for Hope
If a third game ever emerges, this theory could offer a meaningful path forward: one where Amicia, unknowingly deceived, discovers Hugo is still alive and possessed—and must fight once again to bring him back. It wouldn’t cheapen the original ending; it would deepen it. And most importantly, it would stay true to the characters we've grown to love.

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Coco 2 Why did Ernesto hate artisans?

Because Ernesto was so jealous that his parents were talented and popular artisans in Santa Cecilia, Mexico. Cristian and Bonnibel wanted their son Ernesto to make toys and clothes for Dia de los Muertos and Nochebuena when he's building his homemade guitar. During a contest, Ernesto recieves an 2nd place ribbon on his broken guitar due to his magical but clumsy babysitter and his parents were very disappointed in him. Ernesto thinks it's his parents' fault and hate them for it. Ernesto decided to poison his parents' drinks just like in Coco where Ernesto poisoned Hector's drink.

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Spongebob Squarepants How Rocky won the "snail" race in S03E15a

Okay, I guess there's been some theories on it. Here's mine:

There's this phenomena in death valley called "sailing stones", big stones that "travel" through the plains which couldn't be explained for a long time. Accoarding to wikipedia it has to do with winds, icy plates and water. Here's the wikipedia article: https://en.wikipedia.org/wiki/Sailing\_stones

The problem is that would mean Bikini Bottom is located in the Death Valley or at least the race took place there....So.....I'm working on it....

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How did Kylo get the mask?
A new, high-quality Star Wars fan film!

Have you seen the new star wars fan film: Echoes Of Darkness? What did you think of it?

https://youtu.be/9PDgXMFpZ4Q?si=d-wk9bHpz6bDt7gH

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Project Zomboid Knox event, caused by mosquitos?

If it spreads through blood, mosquitos could be a reason why Kentucky got overwhelmed.
considering zombies are probably an mosquito buffet, mosquitos could be why it spread so randomly and without explanation right? Plus mosquitos could explain a lot of infections, since 5 fat mall cops with outdated pistols can probably beat most zombie scenarios.
Unlike everyone I don't have a paragraph of evidence but the idea lines up pretty well if you think about it for longer than 15 seconds.
Pretty cool?.

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Sentry is connected to Project Exodus from the Iron Man 2 Deleted Scene

​In Iron Man 2, there's a deleted scene where Tony gets J.A.R.V.I.S., to retrieve data on several projects:

"Tap the Oracle grid. I need some things out of storage. Give me everything from Projects P.E.G.A.S.U.S., E.X.O.D.U.S., and G.O.L.I.A.T.H."


Project P.E.G.A.S.U.S. involved Tesseract research and Project G.O.L.I.A.T.H. involved size-altering experiments that were led by Hank Pym and Bill Foster, but Project E.X.O.D.U.S. wasn't explored, leading fans to speculate on what it is. Some thinks it's X-Men-related where shield was experiment om Mutant, or it involve deporting mutants to Genosha.

However, with the upcoming Thunderbolts movie introducing Sentry, a powerful and unstable superhuman with godlike abilities, I think Project E.X.O.D.U.S. is deeper than we think and might be linked to Sentry.

In the comics, Robert Reynolds was involved in an experiment where he ends consuming an experimental super-soldier serum derived from the original Super-Soldier Serum that transformed Steve Rogers into Captain America. However, he has to do an internal battle with a dark manifestation of his inner turmoil called the Void .

With this in mind, it's possible that Project E.X.O.D.U.S. was an initiative designed to create or control superhuman individuals with extraordinary powers, and Sentry could be one of those individuals.

The extraordinary powers, specifically, were meant to be god-tier and the purpose was to rival the gods.

Since Iron Man 2 and Thor occur around the same time, during "Fury's Big Week", it’s possible that Project E.X.O.D.U.S. was conceived as part of a larger initiative by S.H.I.E.L.D. to develop and harness god-like powers, to prepare for the looming threat of extraterrestrial and divine beings, like Thor, Loki, and the Asgardian gods. After all, Nick Fury later admits in The Avengers that Thor’s arrival convinced them to start developing weapons using the Tesseract to tackle threats "not of this world" .

However, you may be wondering why didn't they use Sentry if there intention was to combat godly threats. Well, it's simple: they don't remember.

In the comics, Reynolds realized that the Void's existence posed a significant threat to humanity. To protect the world, he collaborated with Doctor Strange and Mister Fantastic to erase all memories of the Sentry and the Void from the minds of nearly everyone on Earth, including his own. This collective amnesia was intended to prevent the Void from manifesting and causing destruction.

This makes sense with in the MCU since the sorcerers have a memory erasing called Runes of Kof-Kol. Since the Ancient One was around before and during the events of Avengers, it's possible Bob told about her about the Void and its potential to destroy the world or all of reality, she used the spell the erase the existence of Sentry, similar to the comics.


Considering Ancient One kept secrets before and was deeply involved in protecting reality itself, it’s entirely plausible that she took action to ensure Sentry’s powers, and the threat of the Void, would remain hidden from the world.


Now about the name "Exodus" what does it mean?

In biblical terms, Exodus refers to a mass departure or escape. However, it could mean something else in a symbolic sense than in a literal sense. Since the intention with the project to transform humans into god-like, Exdous means a depature from man to god. Sentry was intially a success, but because of the Void inside the manifesting, he erased his existence from the world, causing Project Exodus to be scrap in the process since they don't know what they created.

However, since Sentry is coming back in Thunderbolts, Project Exodus was reinvigorated, possibly by Val, Exodus means departing from obscurity to revelation.

Since I mentioned biblical terms, it's ideal to say that Sentry's return and the Void's return parallel the return of Jesus Christ and rise of the Anti Christ. Two forces locked in a cosmic struggle, one representing salvation, the other

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Star wars ROTJ going with the Darth jar jar theory set forth in The phantom menace, we can come to one final conclusion: jar jar is Luke's father

I'm not going to go over the mountain of evidence that other people have pointed out but I will say this, they culminates into one final reveal: at the end of return of the jedi, Darth Vader is revealed to be jar jar Binks. It all fits.

Thoughts? Think of it, jar jar has routinely been proven to be a sith Lord throughout the prequel trilogy a drunken Master and sit incognito and there has been a lot of evidence pointed out by fans over the years. Frankly, how difficult is it for jar jar to be Luke's real father? This may also raise the problematic theory that Luke technically isn't human or maybe somewhere down the line jar jar married a human and fostered a gungan human hybrid, who just so happens to be the hero of the original trilogy. Does this mean that Luke is a sith? We may never know

Thoughts?

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Pennywise is a Monster from Monsters Inc.

Okay, so this MIGHT be a stretch, I'll give my theory that. But think of it:
Pennywise visits children and scares them in order to "feed" off of their fear. Feed can mean a lot of things. It can mean to physically eat or simply benefit of off something. He quite literally is a monster that benefits off of childrens screams. Just like Sully and the rest of the Scarers. Yes, he does eat the children. But what if he was a monster gone rogue? That would make a lot of sense. If he had a sense of justification for his murders, he wouldn't feel any empathy towards his actions. JUST A THOUGHT!

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What if Luffy isn’t Dragon’s son… but Garp’s? And Dragon is actually Rocks D. Xebec’s son?


This might be one of the wildest One Piece theories I’ve ever thought of—but hear me out.

1. Facial Differences Between Garp and Dragon

Dragon looks nothing like Garp. No similar features, no familial vibe. Meanwhile, Dragon shares a lot of traits with Rocks D. Xebec—wild hair, sharp jaw, intense glare.

That resemblance might not be a coincidence.
2. Garp Killed Xebec at God Valley… and Took in His Son

Garp helped take down Xebec at God Valley. But what if Xebec had a son—left behind in the chaos—and Garp, out of guilt or duty, adopted that child?

That child grows up to be Dragon.

Garp tries to raise him the “right” way, but Dragon eventually finds out the truth—that his adoptive father killed his real one—and goes full revolutionary, but chooses freedom over domination, unlike Xebec.
3. Why Luffy and Ace Are the Same Age

This has always been weird. Garp and Roger are from the same generation—so why are Luffy and Ace the same age?

What if Luffy is Garp’s biological son, and Garp raised Luffy himself? Saying Dragon is the father was a cover story—to protect Luffy from enemies of Garp or Rocks. It also explains why Dragon is so uninvolved in Luffy’s life.

4. Final Saga Twist: Dragon vs. Luffy

Imagine this: in the final arc, Dragon learns that Garp lied to him his whole life.

Dragon finds out the truth: Garp killed his real father (Xebec)… and then raised him like a tool.

He also finds out Luffy is Garp’s real son—the true heir of the man who destroyed Xebec.

Fueled by betrayal, Dragon turns against Luffy.

> “Your grandfather stole my father. My life. My legacy. And now I’ll take everything from you.”

Imagine Luffy having to choose between freedom, family, and the truth of the Will of D.

Garp killed Xebec and adopted his son—Dragon.

Luffy is actually Garp’s son, not Dragon’s.

The “Monkey D.” line is a cover for a much darker truth.

Dragon may turn against Luffy in the final saga for revenge.

The story ends where it began: with the legacy of God Valley and the true Will of D.

I know it’s wild, but what do y’all think? Could this be Oda’s ultimate twist?


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Men In Black 3 & Frequency are in the Same Universe...

My theory is that these two movies are in the same universe and taking place at the same time. In-fact, I think these two movies are just two perspectives surrounding the same incident. Both involve time-travel (or, at least, altering time-lines). the '69 World Series and the Amazing Mets are central to the story of Frequency and it's a central point in a couple of scenes in MIB3.


What are y'all's thoughts?

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Theory The Iris “Ringless Death” Vision Wasn’t a Future That Changed — It Was Always HR in Disguise

I recently rewatched The Flash Season 3, and something clicked that I haven’t seen anyone talk about in full:

What if Barry never actually changed the future?
What if the version of Iris dying that he saw in the future… was always HR in disguise?

Let me explain.

In Season 3, Barry sees a vision of the future where Iris is murdered by Savitar. He notices something small but emotionally devastating: she’s not wearing an engagement ring. This detail pushes Barry into believing that proposing to Iris might be the key to changing the timeline and preventing her death.

But here’s the twist:
At the end of Season 3, we find out that Iris never died — HR used the face-changer tech to disguise himself as Iris, sacrificing himself to save her.

So what if that was always the plan?
What if the “Iris” that Barry saw dying in the future vision was never Iris to begin with — it was always HR?

Think about it:
• The version of Iris he sees dying had no ring, which felt “off” even then. But if that wasn’t really Iris — it makes sense. HR wouldn’t be wearing it.
• Barry didn’t actually change the future. He just misread it.
• The future was playing out exactly as it always would — HR stepping in, Iris surviving.
• The proposal and timeline panic didn’t prevent Iris’s death… because it never happened.

This shifts the entire emotional weight of Season 3.

Barry thought he was racing to stop an inevitable tragedy.
In reality, his team already had the solution — HR’s sacrifice — quietly waiting in the wings.
And the lack of a ring? Not a symbol of doom. Just a subtle, haunting clue that the woman in the vision wasn’t Iris at all.

It also adds a deeper layer to Barry’s trauma:

He wasn’t fighting the future — he was fighting fate, and he didn’t even need to.



TL;DR:
The version of Iris that Barry saw die in the future was actually HR in disguise. The “missing ring” wasn’t proof the timeline was broken — it was proof that it wasn’t Iris. Barry didn’t stop Iris’s death. He only thought he did. The future played out exactly as it was meant to.

Let me know what you think. Is this just a tragic irony? Or a brilliant hidden loop the writers left for sharp-eyed viewers?

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Fantasy island became Epstein's Island

And Mr. Roarke was Jeffrey's father.
I am not saying Mr Roarke had any evil intent. Here is the premise for the show per wikipedia: "The mysterious Mr. Roarke and Hervé Villechaize as his assistant, Tattoo. Guests were granted so-called "fantasies" on the island for a price". Wee little Jeffrey learns the ropes, so to say, and his wicked little mind plans out the blackmail power grab that the premise offers, given a few adjustments.
Oh, and it is the same island from Lost. .

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What if Paranormal Activity: Next of Kin was actually the hidden sequel to The Ghost Dimension?




I noticed several disturbing clues that could prove that Next of Kin is not a simple reboot, but the real continuation of the main saga. And maybe even the final chapter of the demon Tobi's plan!



1. Tobi's real name finally revealed?

In The Ghost Dimension, the priest says that "Tobi" might be a fake name and that he is hiding his true identity.
In Next of Kin, the demon locked underground is called Asmodeus. However, Asmodeus is a powerful demon in mythology, known for destroying families and possessing human bodies, just like Tobi.
➡ What if Tobi and Asmodeus were the same entity?



2. The story of the “7 doors” finally completed?

In The Ghost Dimension, we learn that Leila is the 6th door out of 7, meaning a 7th person is needed to complete the demon ritual.
In Next of Kin, we discover that Margot is the last descendant of a line linked to the locked demon.
➡ What if Margot was this 7th door, the final key to the demonic plan started in the old films?



3. The cult did not dissolve, it hid itself

In the main saga, the Midnite Sect cult manipulates families to prepare for Tobi's return.
In Next of Kin, the Amish community Margot goes to is not a real religious community, but a group hiding and protecting a demon.
➡ Could this be the same cult, which fled and hid among the Amish after the events of The Ghost Dimension?



4. The parallel between Sam and Robbie (PA4)

In Next of Kin, Sam appears to be an ally of Margot, but it is discovered that he is actually working with the cult.
In Paranormal Activity 4, Robbie is a child trained by the cult to manipulate Hunter.
➡ What if Sam was a “marked” like Robbie and Jesse, raised to serve the demon?



5. The ages fit perfectly with the timeline of the saga!
• In The Ghost Dimension, we see that the video tapes date from the 90s, and we know that the “marked” children were kidnapped at that time.
• Next of Kin takes place in 2021, 30 years later.
• Sam and the older man in the film could be these abducted children, having grown up in the cult and continuing their mission.
➡ This would explain why Sam knows the cult so well and participates in the manipulation of Margot.



CONCLUSION: Is “Next of Kin” the hidden sequel to “Paranormal Activity”?

The similarities are uncanny:
✅ Tobi and Asmodeus could be the same entity.
✅ Margot would be the 7th missing door to finalize the ritual.
✅ The cult of the Midnite Sect did not disappear, it hid among the Amish.
✅ Sam could be a “marked” child of the cult, like Robbie in PA4.
✅ The ages of the characters correspond perfectly to the timeline of the saga.

Nobody talks about this theory, and yet it could explain everything!
What do you think? Have you seen any other clues that confirm this connection?

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suggesting that the “invaders” were humanoid. Notably, the article differentiates between the portal creatures and the “Combine,” implying that the Combine might not have actually come from the portals. If they had, humanity wouldn’t have made such a distinction.

At the end of the 7-hour war, due to a deal Breen accepted at Black Mesa, he was elected and placed “at the right place, at the right time.” Although Breen denied these accusations and lied about finding a way to communicate with the Combine (or Universal Union), such a claim would have been impossible. As the administrator of a little-known facility, Breen wouldn’t have had the means to negotiate his position or even contact the U.N. during the global communication breakdown. He was deliberately placed in power by the government due to the deal he made, but only for a limited time, which confirms that the 7-hour war was staged.

Man-made cataclysms and weather events were instrumental in achieving the ultimate goal. The purpose of these weather events was to instill fear, disorient humanity, and shake it to the point where people would accept anything just to feel safe, even if the information they were given was a blatant lie. Cities were devastated, and billions were killed. The fewer people there are in the world, the easier they are to control. When this is the only reliable way to create a one-world government, the destructive methods are carried out. The entire 7-hour war was just an excuse to control humanity through harsh force, drain resources, devalue old values, and enslave humanity under a single regime.

A New World Order was brought to fruition with one leader, who continuously lied to people, with his face plastered across screens around the world, while his speeches and voice reached even the quietest corners. People were encouraged to serve the Combine, eventually becoming brainwashed as their memories, emotions, and instincts were erased, turning them into mindless robots. This is exactly what the next phase of “evolution” the government had in mind. The 7-hour war was an “order out of chaos” scenario, where chaos was triggered by the teleportation of Xen creatures and the engineered weather events, providing a reason to condition and control the population.

Digging further, we must acknowledge that the story of Half-Life, like many stories from the 1990s, is inspired by the conspiracy theories of that time. A secret underground facility, an “invasion,” the government, teleportation, and dark energy—all come together. The story of Half-Life has distinct parallels with one theory on the potential outcome of the world and humanity, a theory that remains prevalent today. This theory shares a similar schematic with the events in the story. The Blue Beam Conspiracy is a theory that involves the government using technology to orchestrate a fear-based scenario that would unite the masses under a desired faction. The goal is to unify all governments into a One-World government, “a political authority for all of humanity, giving way to a global government and a single state or polity with jurisdiction over the entire human world. Such a government could come into existence through violent and compulsory world domination or through peaceful and voluntary supranational union.” This is achieved through a false flag doom scenario, deception, and false promises.

The Earth’s surrender during the 7-hour war, as described in Half-Life: Alyx, is U.N.-sanctioned. According to the Project Blue Beam theory, the implementation of the New World Order is also assisted by the United Nations. 7 Days, a daily newspaper in the Half-Life universe, published an edition titled “Breen and the ‘Catastrophe at Black Mesa’: What Really Happened?” expressing doubts about Breen. The newspaper attempted to contact both Breen and the U.N. directly but received no response, confirming that Breen’s election was just a staged performance.

A multinational army would be established, such as the Combine, that would rule the world in a threatening manner. Those that reject the New

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Everyone "freed" in The matrix are basically kids

Are Morpheus and crew in The matrix bring children into the real world?

We can see from this Neos passport and the additional file:

https://imgur.com/a/SpvrXFF

So Neo is about 27 years old

"Cypher: After nine years, you know what I realize? Cypher: Ignorance is bliss"

So I guess we can interpret this as cypher's been in real world for 9 years. Otherwise why not just say" "after all this time you know what I realize"

This is the only mention measurable time mentioned besides pic in my post instead Trinity says things like

"Trinity: My name's Trinity. Neo: The Trinity? Who cracked the IRS d-base? Trinity: That was a long time ago."

So what am I getting at here anyways?

Morpheus: "We have a rule:we never free a mind once it's reached a certain age"

Hate to include old scripts but in the script right before shooting it they had additional dialogue on this part:


Morpheus:
There is a rule that we do not
free a mind once it reaches a
certain age. It is dangerous.
They have trouble letting go.
Their mind turns against them.
I've seen it happen. I'm sorry.
I broke the rule because I had to.


So unless they're freeing people under the age of 18 cypher has to be 27 in the movie The matrix, he doesn't really look 27. Also it's funny to think about an 18 year old ruminating about steak of all things.

So are they just waking up 18 year old and younger for all the traumatic experiences?

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Why the "Voice of Hugo" in A Plague Tale: Requiem Might Not Be Hugo At All

A Plague Tale: Requiem delivers a devastating ending—one that splits players into two camps: those who accept Hugo's death at face value, and those who sense something deeper, something not quite right. A major point of contention revolves around Hugo's final words to Amicia during the rat-men battle. This essay explores why that voice may not be Hugo at all, but rather the Macula deceiving Amicia, supported by strong in-game lore, visual cues, and character consistency.

1. The Voice Doesn’t Sound Like a 5-Year-Old’s
Anyone who has played Innocence remembers how young Hugo truly is. His voice is soft, babyish, with rounded "R" and "S" sounds and a childlike cadence. He speaks in short, simple sentences and reacts to the world like a real 5-year-old would: with wonder, fear, or bursts of excitement.

In contrast, the voice that speaks to Amicia during the final battle in Requiem is serene, philosophical, and deeply mature. The sentences are structured, emotionally self-aware, and composed. It's as if a weary adult is guiding Amicia toward acceptance—not a child caught in cosmic terror. This doesn’t just feel "off"; it feels like an entirely different character.

2. The Lore Supports Deception
The Macula is ancient, manipulative, and capable of projecting visions—as seen earlier when it gives Hugo dreams of an island that doesn’t actually match the real one. This same entity, now fully in control, has every reason to deceive Amicia.

Why? Because Amicia has always been its greatest threat.

She spent two games trying to cure Hugo, fighting the Macula every step of the way. If she continues to believe Hugo can be saved, she will keep trying. The easiest way to stop her is to make her believe it’s already over and then to make her believe beyond any doubt that Hugo is dead.

3. The Nebula Nullifies Natural Law
Lucas says, “All natural laws stop here,” referring to the Nebula where the final confrontation occurs. This space is controlled entirely by the Macula. If time, space, and death are suspended or distorted here, illusions are not only possible—they are expected. Amicia is walking through a dream-space designed by her enemy. Her perceptions cannot be trusted.

4. The Visual Presentation Adds to the Ambiguity

Amicia is unable to physically approach Hugo.
A blurry, wavy barrier separates her from the tree and the boy.
We never see Hugo clearly. We never see him die. The moment cuts to black.
Later, we see no body. Only a mountaintop memorial—not a grave.

This presentation would be strange if the devs wanted to clearly show Hugo's death. It would have been easy to confirm it explicitly. But they didn’t. They left space. And in narrative terms, space means choice.

5. Trauma Doesn’t Make Children Speak Like That
Some might argue that Hugo's maturity in the final scene is the result of trauma. But in reality, trauma in young children tends to regress emotional development, not accelerate it. Children who have been through unimaginable pain don't suddenly gain philosophical insight—they cry, withdraw, or dissociate--which are behaviour Hugo had been showing previously in Requiem. At some points also anger. And when feeling calm, he kept talking about and hoping for the healing water all along and showed such joy when Amicia declaired they'd be going home to live on the mountains. The latter actually happened literally just moments before he witnessed Amicia getting "killed" which was the final trauma that pushed him over the edge and surrender completely to the Macula. The idea that Hugo would calmly accept his own death and explain it in eloquent, comforting terms is inconsistent with his established character and psychology.

Conclusion: Not Denial, But Possibility
This interpretation doesn’t deny Hugo’s death. It simply questions whether the ending should be taken at face value. The game deliberately leaves room for players to decide what they believe. And if so many fans instinctively feel

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(Sonic 3) Shadow was made by The Black Arms

Major spoilers for Sonic 3 by now, so if you haven't watched it yet do not read this

Now then onto the theory (I made a similar theory in the past but it had the minor flaw of being awful)

Shadow's back story is a large part different from his game or comic counterpart

Now Shadow was in other forms, made by Gerald with the aid of the Black Arms to save Maria but however the movie shows that Maria is seemly healthy before she was killed

This Shadow (Lets call him Movie Shadow or M Shadow) falls from space in a meteorite of a unknown origin that contained M Shadow, the meteorite looks unnatural in it's nature so it could have been a type of drop pod

My Theory is that the Black Arms created Shadow (Maybe Black Doom or a original character) with the intention of conquering Earth but The Fall removed those orders from M Shadow's mind

Now why would the Blacks Arms do that?, i believe in two ideas to this question

1. The Black Arms have watched Sonic's original world and have witnessed the power of hedgehogs and has deemed them a worthy thing to augment and this was a test to see his potential to know if they should keep making more M Shadows, a sort of survival of the fittest mindset they have for their people
2. The Blacks Arms do not have the forces to take Earth In a straight fight so they simply have created something to do it for them, perhaps They can not procreate so they can not afford large losses that would be suffered under a war with earth (we can assume that the same history has happened as our world) so knowing Mankind's past with War has made them back down

A side note could be that the Ark itself kept the Black Arms away so now with it's destruction that could bring them to Earth

But that's just a theory...a idiots Theory!

Thanks for reading and have a nice day and feel free to share your thoughts about this or your own theory

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(Peppa Pig) Every character in Peppa Pig is a lab experiment and they all live in a Truman Show-esque containment facility

Now, as we all know, the Peppa Pig cast are animal people. Normal kids show stuff. Except for the fact that normal ducks are shown at several points in the shows run, as well as a zoo being confirmed to exist, complete with plenty of normal animals. Okay, so the Peppa Pig crew are the humans of the world.

EXCEPT NO. The Queen of England (before she died obviously) was seen in an episode and she was a normal human. So both normal humans and normal animals exist in this world, so what even are the Peppa Pig characters?

The only conclusion to come to is that the cast are hybrids made in some kind of experiment for an unknown purpose. They are contained in a facility with no knowledge of the outside world, and observed by onlookers. They might get funding through having their antics displayed on television like the Truman Show, which is why the Queen appeared. It was basically that universes version of like, Iparty with Victorious or something.

And this also explains George's name. If you aren't aware, the vast majority of Peppa Pig characters have alliterative names. Peppa Pig. Suzie Sheep. Danny Dog. So why George Pig and not Peter Pig or Pervical Pig or something?

In real life animal testing, pigs are often some of the first animals used, which could apply to the lab experiments that created the Peppa Pig world. However, due to the technology most likely being new and experimental, many pigs most likely died in the process, meaning it's a very real possibility Peter and Pervical Pig existed at one point, but died in the name of science. That, or George was the first creature successfully born under this program, meaning he was named outside the established patterns. This may also explain why the show focuses on the pig family, because they were the first successful attempt at hybrid creation.

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Avatar VS Superheroes AI trailer

# New trailer is out 'AVATAR vs SUPERHEROES – Pandora’s Last Stand Begins' let me know your thoughts on this also highly appreciate for your feedbacks . Worked hard to bring this master peace alive


https://youtu.be/ewM23SX2JMI

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destruction.

In fact, in the Thunderbolts trailer, there are scenes where individuals appear to vanish mysteriously. This is similar to the believed event called the Rapture where the faithful ascend to heaven while the rest are left behind. While not completely similar since it seems like everyone is disappearing indiscriminately, it still shows what happens when two entities are at odds, their war results in innocent people suffering or dying in the process, mirroring the war between Jesus Christ and Anti Christ when the rapture happens.

However, it seems to be a happy ending since Sentry is confirmed to be returning in Avengers: Doomsday. It could indicate that Sentry regained control or somehow expelled the Void from his body. We'll have to wait and see.

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Across the Spider-Verse Miguel O'Hara is an imposter

The Miguel O'Hara we see in Across the Spider-verse is an imposter. The real Miguel is the one we saw in Into the Spider-verse's post credits scene.

Throughout the movie, it is very clear that all spider-people across the multiverse have the same characteristics, motivations and abilities(for the most part).

And yet, the movie is constantly showing us certain details that allude to the fact that he's not like the other spider-men.


Here are some examples:

He,

• Doesn't make jokes

• Wears a cape

• Is constantly injecting himself with something that seems to gives him his powers

• Unable to cling to walls once Miles sucks the electricity from his suit


• Is completely different physically and behaviourally from the Miguel in ITSV.

I believe the real Miguel is the one from ITSV's post credit scene, and is the one that ultimately got killed (possibly murdered by ATSV's Miguel) and his life usurped.

I don't know who the ATSV Miguel is, but all I know is he is hiding something more than what he revealed in his backstory. ITSV's Miguel was a Spider-man, this one is not.



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Harry Potter Religious figures like Jesus were witches and wizards who revealed themselves to Muggles to try and control them and rebel aganist the rest of the wizarding world.

Sort of like Voldemort, except instead of wanting to destroy Muggles they wanted to have power over them and didn't want to live in secret, or they did want to live in secret but sort of control the Muggles in some way.

Starting with Jesus, we know Christianity exists in the HP universe they have Christmas and other Christian festivals (that also have Pagan influence) and churches are found in the Muggle world. I believe that Jesus wanted to make himself look like the Son of God to control everyone, he showed his powers with miracles but then got killed, him resurrecting was actually his ghost as it's possible for people to become ghosts in HP.

It's possible that his death was orchestrated by witches and wizards who didn't want him exposing their world, like maybe using imperius on the Romans to kill him. In turn, him being killed by the Romans who Christians saw as the bad guys would have started the long history of them burning anyone they thought was demonic.

Mary may have also wanted to do what Jesus wanted which is why she made up the story of being told she was to have the Son of God, like he was continuing what she wanted.

Going further back, all of the religions like Ancient Greek or Ancient Egyptian or Jews they all were made up by the wizarding world to keep the Muggles seperated, like they don't want the Muggles knowing about them as it would cause a lot of problems like them wanting to use magic for everything in their lives.

Making up these gods would make them think they're the ultimate powers, like if the wizarding world got exposed it would be attributed to them instead, with Jesus though he was exposing things way too much so had to be stopped.

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Was A Plague Tale: Requiem's end really final, or did Asobo leave it open on purpose?

This is for those who want to explore the possibilities within the beautiful and complex lore of these games—not just cling to the most common interpretation that Hugo dies. Personally, I highly appreciate Requiem’s powerful, bittersweet ending… but it’s still not the most satisfying one for me. So I want to stir discussion about other possibilities.

There’s a compelling fan theory that suggests Hugo’s death might have been a manipulation by the Macula—especially given the dreamlike nature of the Nebula and the fact that we never see Hugo’s death or body. Lucas even says “natural laws stop here,” and the place Amicia visits in the epilogue is a mountaintop memorial, not a grave. It seems like Asobo may have intentionally left the door open for interpretation.

I agree with that theory because personally, I felt something was “off” in the final scenes during my first playthrough—long before I knew how it would end or heard any fan theories. It's the way Hugo speaks as he urges Amicia to give up, it felt far too mature for a five-year-old's subconscious. Whereas it would fit an eternity old entity like the Macula. His phrasing of sentences, and his understanding of her emotions and the complexities of everything, and the almost monotone delivery felt more like the Macula trying to stop Amicia using Hugo's voice. At the time, I genuinely believed the Macula was trying to break Amicia’s will and stop her quest—not help her put Hugo to rest.

That feeling of unease I had was further strengthened when we reached the tree—where I was supposed to kill Hugo. We weren’t allowed to get anywhere near him. There was a blurry, wavy barrier between us, like a shimmering wall of distortion. It made it impossible to see him clearly.

The moment instantly reminded me of holograms or illusion barriers you see in other stories—things designed to keep someone emotionally convinced without letting them get close enough to realize the truth. It felt less like I was seeing Hugo… and more like I was being shown something the Macula wanted me to see.

This makes even more sense considering the Macula still needs Hugo alive. He gave himself up completely, inside a domain where natural laws don’t exist. So why would the Macula allow him to be killed—unless it was an illusion, a trick to stop Amicia’s pursuit of destroying or containing it again?

Some might say, “but the Sun didn’t get devoured, so Hugo must be dead.” But no one ever said the destruction would be immediate. It could be coming later—after the Macula uses Hugo to spread further, like the real plague once did.

So… what if Requiem isn’t the end of Hugo’s story?

The lore leaves a perfect opportunity for a third game where Hugo and Amicia meet again—and perhaps, finally, get the healing they’ve earned. Given that Requiem actually outsold Innocence, a third game or even an Enhanced Edition with a hidden alternate ending feels totally possible.

Would you be open to a continuation—or a hidden ending where Hugo is still alive and the siblings reach the peaceful home they dreamed of? Or would you wish the story to continue differently?

For anyone interested, there’s a petition linked in my profile post for an alternate ending—either in a new game or Enhanced Edition of Requiem. It proposes an optional, earned ending for those who bonded deeply with Hugo and want a chance to fight for a happier conclusion. Check it out and sign if you'd like. Otherwise, please stay here and share your thoughts. I’d love to hear your thoughts about this theory—or your own theory.

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“What If One Piece Soloed Every Verse? | Fanbook: The Void General of the D Full Visual Lore Drop”

After years of theory-crafting and power-scaling wars, I decided to stop debating and create the ultimate proof — a full illustrated fanbook that shows why the One Piece verse clears every other anime universe.

From tactical war plays using Sugar, Law, and Brook to void century legends and Haki monsters like Imu and Shanks… this is One Piece at its final form.

Chapters include:

Luffy vs Jinwoo: The Shadow Army Falls

Zoro vs King: The Fire Dragon Hunt

Law’s Shamble Trap: One-Tap to Every Multiverse

The God Valley Rewrite — Joy Boy Rises

Void Century Weapon Unleashed


Visuals, strategy breakdowns, lore analysis, and full crossover scenarios — this is a love letter to Oda and the Straw Hats.

I call it:
“The Void General of the D” — The Last Straw Hat’s Testament.

PDF dropping soon. Stay tuned.
On r/OnePiece

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The Pokemon world had a massive war before the games take place.
That’s why there are so few adults and tons of children wandering around unsupervised.

The Pokemon War Theory: A Dark Backstory Behind the Games

There’s a popular theory that the world of Pokémon, especially in the original Red/Blue games, takes place shortly after a major war. It explains a lot of odd details that don’t fully make sense on their own.

Take Lieutenant Surge, the Vermilion City gym leader. He outright says, “Electric Pokémon saved me during the war.” He’s not just a quirky character—his title Lieutenant implies real military service. But what war is he talking about?

Now look at the world itself. There’s a noticeable lack of adults, especially men. Most characters are kids, teens, or elderly. Many protagonists have moms but no visible fathers. Brock, for example, is raising his siblings because his parents are gone. The theory suggests a war wiped out a huge chunk of the adult population, leaving kids to fill in the gaps.

The Pokemon themselves could’ve been used as living weapons. Many have obvious combat abilities—explosives, fire, psychic power—and the way kids are encouraged to train and battle with them might be a repurposed system to prepare for future conflict, disguised as a fun tradition.

Then there’s the tech: cloning, teleportation, digitizing creatures—mixed with outdated TVs and phones. It feels like leftover war-era tech being reused in a recovering society.

All of this adds up to a world shaped by a conflict we never saw, where the Pokemon League might be part of a peacekeeping system, and your “journey” is more than just a game—it’s training for what might come next.

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Birdemic The birds were upset from watching their relatives crash-land into solar panels.

Solar panels are shiny. Birds often fly into them at high speed, presumably thinking the panels are bodies of water, and then get stunned or killed from impact.

Rod was a solar panel salesperson who surely converted many neighbors to solar panels. The birds crashed into the ostensibly eco-friendly electricity generation systems, and then a line of mutant hawks decided to get their revenge.

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Llamas with Hats and Salad Fingers Fan Theory. (Llama Fingers theory.)

This universe was created when two extra-planer beings entered this existence. Both beings brought their own forces into existence. The first is the force of creation. The ability to bring things together, to combine smaller parts into the larger. The force to unify. We will call this entity Paul. The other entity brought the force to break things down and apart. The concept that all that is created must eventually be un-created. We will call this entity Carl.

Paul and Carl were star-crossed lovers. Even though everything Paul would create, eventually Carl would break, they understood each other. They supported each other. For they knew one could not be without the other. Their eternal bond for each other ran deeper than love. They were for each other.

At some point in endless time, creation brought together something new. Life. Life, which sprouted on a small planet, orbiting a small sun. Paul became smitten with life. Such a new concept. Tiny little creatures that sprout and die in the smallest mote of time in the cosmic scape. But lives that leave a lasting legacy throughout time. Lives that mean so much to themselves, despite their short existence and fragility.

In an attempt to know life and to observe it better, Paul and Carl decided to live amongst it. Taking on the form of unassuming Llamas with Hats. Paul settled right in. Living amongst life. Carl tried desperately to share in Paul's love of life. But everything they tried ended up destroying life even more. Carl could not grasp the love that Paul had. They could not see the fragility and purpose of it all. Everything Carl did only served to destroy life, such is their nature.

This drove Paul away. Carl only brought death and destruction to their precious life. Carl tried to show life the wonders of the cosmic planes but only invited in cosmic horrors. Carl tried to create their own life, but only created dead monstrosities that killed more life. Despite everything Carl tried and said, Paul only grew more distant.

Finally, after many an age, Carl had destroyed nearly all life. Left with nothing but a dust ridden planet, Paul saw Carl in a new light. Death. Destroyer of everything Paul holds dear. They were no longer one with each other. No longer together. Paul left Carl. Left this plane of existence, leaving it in a state of maximum entropy. No more to create.

Carl was left with a deep pain that they could not repair. After all they've done to share in Paul's love of life and creation, Carl was left with nothing.

In one final attempt to understand Paul, Carl tried to create one last time. Making a small person with green skin and long spindly fingers. Carl named this person Salad Fingers. It worked. Carl had finally created something, and they finally understood the love Paul had for life. This drove Carl into a deep despair. For they had finally understood the meaning of all they had done. Endless life destroyed by their hand.

With this, Carl left this world, left this plane of existence behind. Leaving Salad Fingers behind. The universe fell into a stagnant existence. No creation, no death.

Salad Fingers was left alone to wander the world. To wander the ruins of civilization that existed long before them. Not ever knowing another being for all of endless time. It wasn't long before Salad Fingers lost their mind and fell into madness from isolation. But what comes after madness from isolation through all eternity?

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World Order, by a theory, will be forcefully reeducated, in this instance through Breencasts, while the public figure will belittle old accomplishments of humanity, lying that only now the humanity «has begun to see the light» and that «immortality» is at hand while people, refusing to turn into Combine are near dead.

With Half-Life clearly drawing parallels with old conspiracy theories, G-Man ties into one of them. It is openly and heavily implied that he is from the government, but it is also implied that he is not a human. The pre-release Half-Life model featured the United States Department of Defense logo on his briefcase. The shadow government he works for secretly controls the U.S. government. This is a secret, invisible government, one of the highest branches. Such a government cannot directly change the course of events, but they can influence certain actions to gradually reach an ultimate goal, as stated in Half-Life: Alyx—“nudge things into a particular direction from time to time.” These actions are authorized only if they align with the interests of the shadow government. G-Man has no realistic free will and works on behalf of his “employers.” All the choices he makes must be negotiated if they serve their purpose.

The events at Black Mesa were a push toward the New World Order, securing Xen, covering up the events, and creating new distractions. The game subtly hints at who G-Man truly is, with the notable emphasis on the letter “S.” Though humorous, this fits the Half-Life universe well, with its exotic biomes and unusual creatures. G-Man is a REPTILIAN ENTITY working within the government, along with others of his race, to destroy the majority of the human race and bring about a new phase of evolution—one in which humanity is more mechanical and less emotional as a species. These “employers” are hinted at by G-Man’s pause before speaking, suggesting they are of the same race as him. They cannot freely use their original form, as that would reveal their true nature. Instead, they change shape, blending in as humans, like chameleons changing color. The shadow government he works for is neither aligned with humanity nor the Combine. They are manipulating world events in a way that serves their ultimate purpose. As the human population grows too large, they must reduce their numbers through destructive actions, conditioning humanity for easier control.

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In Half-Life 2, the "Combine" and the "7 Hour War" are false flags to establish the NWO

In short, the “Combine” faction is a secret organization that was secretly established on Earth, originally created on behalf of an Earth shadow government, for which the G-Man worked all along. Their mission was to wipe out most of civilization and usher in a new phase of “evolution” under the U.N.-sanctioned New World Order seen in Half-Life 2.

The “Combine” seemingly appear out of nowhere. Gordon is emerged from stasis two decades later and thrown into confusion, with no idea what is happening, while humanity is on the brink of extinction under the guise of an unspecified “immortality.” With the breencasts of mass propaganda and a Combine spy, Mossman, whispering in his ear, Gordon is led to believe the Combine are part of the "Universal Union". This is the only reference to such a notion in Half-Life 2. At Eli’s labs in Black Mesa East, newspaper clippings give Gordon only a rough idea of what happened decades ago. Mossman manipulates Freeman as soon as he steps through the facility’s gate, expressing her envy towards his work experience with Kleiner and Eli. She cares little for Freeman’s safety. To her, he is nothing but a puppet—an easy tool to control and deceive, all while attempting to maintain a middle ground between humanity and the Combine, persuading Breen not to engage in unnecessary genocide.

The Combine portal you see in Nova Prospekt is still in its early stages of development. It is also notably too small to transport more than two people and was only reprogrammed by Mossman to emulate a Xen relay when Gordon and Alyx arrived. This teleporter is limited to the point that it delayed the teleportation process by a week.

Second, if the “Combine” is a Universal Union, their methods of teleportation to conquer other worlds wouldn’t be so limited as to warrant such a label. They also wouldn’t be so dependent on Xen, and especially Eli’s research, which Breen is desperate to obtain.

Lastly, they can’t teleport randomly or from nowhere. There has to be a connection on Earth for them to be able to reach it— a connection that was severed after Nihilanth’s death, which humanity was unaware of and never informed about. Their Citadel, which opens a portal to their “Overworld,” and any connection with Earth were not in place. The Citadel, still under construction during Half-Life: Alyx, had to be in place before the invasion took place. Even then, the “Combine” are humanoid, and creatures were only being reprogrammed to serve on their side at that time. If closing their Citadel teleporter were as easy as launching a rocket to sever the connection, they wouldn’t have stood a chance of reaching Earth during the 7-hour war in the first place. Nor would they have been able to transport themselves through the “portal” storms.

How did the Combine get to Earth? The answer is: they never did. There is no Combine.

In Half-Life: Alyx, “terminal” newspapers reveal that during the storms, it took days for the Combine to even appear. No one was certain of the portal storms’ origin, suggesting neither the Combine nor the Xen creatures were caused by these storms, despite unreliable information suggesting otherwise. The Xen creatures spawned separately after the resonance cascade, up until the very end. However, the storms that caused mass destruction hadn’t abated at the time of Earth’s surrender, implying they had to be engineered by someone else. Their continuous presence on Earth is inexplicable—whether during the war, the surrender, or even the events of Half-Life 1, especially after the freeing of the Vortigaunts. Humanity remained skeptical about these events, questioning who was behind the weather phenomena. A growing consensus emerged: the Combine weren’t responsible for instigating the “portal storms.” Speculations ranged from “meteorological consequences of climate change” to “clandestine scientific experiments.” If none of these explanations were responsible, then who was? The Combine were notably seen as a “military force,”

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A possible solution for why Stanley Kubrick used the Gill Sans Typeface for the main title card in 2OOI: A Space Odyssey

I’ve just spent many hours going over my past ideas of the possible meaning of why Stanley Kubrick used the Gill Sans typeface on the Title Card of 2OOI: A Space Odyssey, as it made the ohs into perfect circles. Specifically, three of them.

I’ll begin by saying that there is of course no way to confirm this, as Stanley Kubrick isn’t around. Also, if he was he might not say anything because he wanted the viewers of his films to decide for themselves what his meaning was. Unlike a novelist, he was all about the visual experience.

This title card was visual and there have been many who have wondered why he chose this typeface. Yes, it was made in the early 1960s and can (if you choose to) ignore any deeper meaning than it being “artful.”

A main feature of this typeface is that, unlike most other ones, the upper case Oh isn’t “squeezed” but circular. Kubrick used ohs to replace the double zeros, which WERE narrow ellipses.

The oh in Odyssey was of course an upper case letter. So, we have three perfect circles to juxtapose on the main title card.


I have an idea of perhaps why, even though I have previous theories.

It’s as simple as that a gyroscope has three “hoops” that represent our three dimensions of X-Y-Z!

The film takes us on a journey of the Apotheosis of a Man, with the possibility of him taking Mankind to his level in a higher plane in order to be with a 4th dimensional intelligence that is… lonely.

Sir Arthur C. Clarke called them the Firstborn. Even though Clarke and Stanley Kubrick were Atheists, there are definite religious similarities. Stanley Kubrick did say that each viewer could decide for themselves what the film’s meaning was.

The Main Title Card shows 3 circles (as 2D shapes) and adds the moon, Earth, and Sun as spheres (3D shapes).

I am now juxtaposing that triple O (OOO) as (for me at least) pointing to the 3D nature of our Universe. TRINITY.

There are many more “threes” in the film but to try to keep this from going into a black hole / rabbit hole, I’ll mention the three pod bay doors (and the EVA spherical pods behind them).

I’ll especially note the AE-35 Unit that contained a GYROSCOPE that allowed the AE-35 Antenna Array (itself made of three dishes or disks) to communicate with Earth.
COMMUNICATION is a key.

As I mentioned, I have much more that I can share, but this connection between the film’s Title Card and the AE-35 Gyroscope et al is my purpose for this post. TOUCH is a key as well.

Oh, after the Main Title Card, the film has a beginning title card (The Dawn of Man), a middle one (Jupiter Mission), and the final one (Beyond the Infinite). 3.

I do have the additional idea of a “Three Ring Circus” that has Mankind in the movie being taught to jump through hoops in order to evolve. 🤔

The “Flywheel” in the Discovery’s Command Module that simulated gravity for the two astronauts that was itself inside the CM sphere. Yep, a hamster wheel. 😉

I think that I’ll also post this on another subreddit that allows attachments, because I have several images that condense my words into pictures.

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