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لا يوجد فن يجتاح ضمائرنا كما تفعل الأفلام، وتذهب مباشرةً لأحاسيسنا، في أعماق الغرف المظلمة في أرواحنا.
انغمار بيرغمان عن فيلم The Sacrifice.
لقد صنع "آندريه تاركوفسكي" ما كنت أحلم بصنعه طيلة تاريخي الفني بأسره ولم أفلح، إنه أعظم فيلم لم يخرجه بيرغمان بعد.
words are what men live by... words they say and mean.
The Comancheros (1961)
By:Michael Curtiz
Jacques Tourneur (A French Film Director)
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"But the time comes when a man gotta stop running away and face things, Or else go on running for good"
White Heat (1949)
By: Raoul Walsh
Murder My Sweet (1944)
By : Edward Dmytryk
تعالى يا قناوي ده انا حاجوزك هنومة
والمهر جايبهولك معايا فى جيبي أهو
حاكتبلك عليها الليلة دي , بس اوع يا بني من سكة القطر
قناوي ... قناوي يا بني , الليلة دخلتك على هنومة
حاعملك فرح كبير قوي , فرحك يا قناوي
قوم البس جلبية الفرح , فرحك يا قناوي
Cairo Station (1958) (aka باب الحديد)
By: Youssef Chahine
John Wayne, William Holden and Constance Towers in The Horse Soldiers (1959)
By: John Ford
Cary Grant and Laraine day in Mr.Lucky (1943)
By: H. C. Potter
Sometimes opportunities float right past your nose. Work hard, apply yourself, and be ready. When an opportunity comes you can grab it.
-Julie Andrews
Forest Gump 1994
Oscar: Best Actor in leading role
Apocalypse Now (1979)
- I've seen horrors... horrors that you've seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that... but you have no right to judge me. It's impossible for words to describe what is necessary to those who do not know what horror means. Horror... Horror has a face... and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared. They are truly enemies! I remember when I was with Special Forces... seems a thousand centuries ago. We went into a camp to inoculate some children. We left the camp after we had inoculated the children for polio, and this old man came running after us and he was crying. He couldn't see. We went back there, and they had come and hacked off every inoculated arm. There they were in a pile. A pile of little arms. And I remember... I... I... I cried, I wept like some grandmother. I wanted to tear my teeth out; I didn't know what I wanted to do! And I want to remember it. I never want to forget it... I never want to forget. And then I realized... like I was shot... like I was shot with a diamond... a diamond bullet right through my forehead. And I thought, my God... the genius of that! The genius! The will to do that! Perfect, genuine, complete, crystalline, pure. And then I realized they were stronger than we, because they could stand that these were not monsters, these were men... trained cadres. These men who fought with their hearts, who had families, who had children, who were filled with love... but they had the strength... the strength... to do that. If I had ten divisions of those men, our troubles here would be over very quickly. You have to have men who are moral... and at the same time who are able to utilize their primordial instincts to kill without feeling... without passion... without judgment... without judgment! Because it's judgment that defeats us.
Rest in Peace Jean- Paul Belmondo
1933-2021
The Third Man || 1949
By: Carol Reed
A person doesn't change just because you find out more !
Detour (1945)
The Naked City (1948)
هذا ما أسميه بال Ideal Film Noir أو فلم النوار المثالي
Roger Ebert wrote:
Ann Savage's work is extraordinary: There is not a single fleeting shred of tenderness or humanity in her performance as Vera, as she snaps out her pulp dialogue (“What'd you do--kiss him with a wrench?”). These are two pure types: the submissive man and the female hellion.
Detour (1945)
By:Edgar G. Ulmer
Laury Ferguson: Why are you hounding Rocky? Why are you trying to send him to prison for life? You can't do that to Rocky. I won't let you. It's not his fault, Father. He was just a kid who made a mistake and got sent to reform school. They made a criminal out of him. But he's not bad, not really bad. You know that. And whatever they've done to him, no matter what he is now, no matter whether he's right or wrong, we both love him Father.
Father Jerry: Yes, Laury we both love him. I've loved him since we were kids, six years old. We worked together, fought together, stole together. Oh, I'm not blaming Rocky for what he is today. But for the grace of God, there walk I. I'd do anything for him, Laury. Anything in the world to help him. I'd give my life if I thought it would do any good, but it wouldn't. You see Laury, there's all those other kids, hundreds of them, in the streets and bad environment, whom I don't want to see grow up like Rocky did. I can't sacrifice them for Rocky. You see, Laury, they have lives too. I can't throw them away. I can't.
Angels With Dirty faces (1938)
By: Michael Curtiz
Humphrey Bogart, Peter Ustinov and Aldo Ray in We're No Angels (1955)
By: Michael Curtiz
Myrna Loy, Melvyn Douglas & Cary Grant in Mr. Blandings Builds His Dream House (1948)
By: H. C. Potter
The legendary Humphrey Bogart in The Harder They Fall (1956)
*his second to last film and one year before his death
يُذكر أن الفيلم حصل على جائزة الأوسكار لأفضل سيناريو أصلي رغم انعدام الحوار فيه بشكل شبه كلي
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