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🎬 Movies, series, news, trailers and releases, images, behind-the-scenes footage and daily curiosities from the world of cinema on your new series & films channel! 🎟🥤🍿 🗣Contact, Ads: @LightEarendil · https://telega.io/c/series
🍿 Pattinson plays Chris Hansen. Hansen is not pleased. This is already fascinating.
📆 Estreno: September 25, 2026
🎭 Género: #Thriller #CrimeDrama
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Director Lance Oppenheim, who apparently first encountered "To Catch a Predator" through South Park parodies, has turned that secondhand mythology into an A24 thriller. That detail matters, because Primetime feels less like a biopic and more like an obsession with why Hansen became an icon in the first place.
Pattinson nailed it when he said there's "something he's doing" behind that show's staying power, something you can't name even after watching thousands of hours. The camera loves certain people for reasons that defy logic. Hansen is one of them.
Hansen walking out of the A24 screening over an NDA is, weirdly, very on-brand.
🍿 The Angry Birds Movie 3 rips off the Dune poster and somehow earns it
📆 Estreno: December 23, 2026
🎭 Género: #Animation · #Comedy · #Family
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"Lisan al Birdee." That poster is funnier than most blockbuster marketing this year. Director John Rice and Jason Sudeikis are leaning hard into self-awareness, and it works.
The first The Angry Birds Movie had no business being as funny as it was. Solid jokes, real craft underneath the IP slop. Three films in, the franchise is still betting on meme culture as its engine, and honestly, that bet looks smarter every time.
🍿 Pokémon: Wild Card is real, and the poster already hits different
📆 Estreno: 2027
🎭 Género: #Animation #Adventure
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Seven years since Detective Pikachu and the franchise skips live-action entirely. Director Katsuhiko Kitada and CloverWorks (of Spy x Family) are centering a TCG player and Mimikyu. That alone is a more interesting premise than any nostalgia-bait reboot.
The poster leans hard cyberpunk: dark palette, sharp angles. For a franchise that lived in pastel comfort for decades, this is a real tonal bet. Cautiously sold.
🎃 Other Mommy: the trailer shot that cleared popcorn buckets nationwide
📆 Estreno: October 9, 2026
🎭 Género: #Horror #Thriller
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Jessica Chastain doing double duty as mom and monster is inspired casting. Rob Savage (Host) knows how to make one image do all the work. Her crouched beneath the kitchen table already broke multiplex audiences cold.
Josh Malerman's novel has a blue, hairy demon; the film trades it for a doppelganger. A familiar face worn wrong beats any CGI beast. My only question: can it hold that dread past the first act. 🕳️
Chris Hansen bought ads before every screening of his own biopic. That move alone feels like an episode of his show.
📆 Estreno: September 25, 2026
🎭 Género: #Thriller #Drama #Crime
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Robert Pattinson plays Hansen at the peak of the 2006 To Catch a Predator frenzy. Director Lance Oppenheim has a gift for dissecting the theater of American obsession, and this subject fits him perfectly.
Hansen refused to watch the film without a no-lawsuit clause, then bought preshow airtime to frame the story on his own terms. A24 couldn't have scripted better marketing.
🍿 Ali G is back. 24 years later. Make it make sense.
📆 Estreno: October 23, 2026
🎭 Género: #Comedy #Documentary
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Sacha Baron Cohen wrote, directed and stars in this sequel to 'Ali G Indahouse', his feature directorial debut via Amazon MGM. The whole thing was shot in secret, which is honestly the most Ali G thing possible.
The real question is whether the joke still lands. Prank comedy lives on the target not knowing who you are. Half the world knows Ali G now. The other half has never heard of him and couldn't care less about a parody of early-2000s UK roadman culture.
That tension, a character frozen in time facing a world that moved on, could actually be interesting if Cohen leans into it. He probably won't. But the possibility is there.Читать полностью…
🍿 $2 billion. Spider-Man did it alone.
📆 Estreno: July 31, 2026
🎭 Género: #Action · #Superhero
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Brand New Day just became the highest-grossing Spider-Man film ever and the first solo superhero movie to crack $2B worldwide. In 19 days. The Avengers needed a team to pull that off; Peter Parker did it with webs and a college backpack.
Destin Daniel Cretton (the guy behind 'Shang-Chi') clearly understood what the Sony solo experiments never did: Spider-Man works when Marvel is in the room. Morbius, Madame Web, Kraven... that graveyard exists precisely so this film could feel like a resurrection.
Jon Bernthal as Punisher dropping into a Spider-Man film is the kind of swing that only works when there's trust between the studios. Right now, that trust is printing money.Читать полностью…
🍿 A billion dollars in four days. Sony is clinging to Peter Parker like their life depends on it.
📆 Estreno: July 31, 2026
🎭 Género: #Action · #Adventure · #Superhero
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Brand New Day just crossed $1B worldwide in four days, second-fastest ever behind Endgame. Director Destin Daniel Cretton delivered something genuinely grounded for a Holland Spider-Man, and that "I am both" payoff people keep talking about lands harder than any MCU moment in years.
Sony killed every solo villain spinoff, kept Spider-Verse 3, and is now riding this wave with everything they've got. Smart. When your one sure thing is this sure, you don't dilute it with Morbius sequels.
Tom Holland has now starred in multiple billion-dollar films and counting. At this point he is not just Sony's golden goose, he is the whole farm.Читать полностью…
🍿 $360 million in three days. Spider-Man just broke everything.
Tom Holland and director Destin Daniel Cretton just handed Marvel its biggest opening in history: $360M domestic, edging out 'Avengers: Endgame' after seven years on top. Not a fluke. The top four all-time openings now belong to Marvel.
That last part is where it gets interesting for me. Four Marvel titles. Zero surprises in the top four. The genre has basically colonized peak box office like it owns the deed. 'No Way Home' already proved this franchise has no ceiling; Brand New Day just confirmed it has no floor either. 🕷
🍿 Avengers: Doomsday — RDJ's back, and he's not playing nice
📆 Estreno: December 18, 2026
🎭 Género: #Action · #SciFi · #Superhero
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What genuinely intrigues me is Robert Downey Jr. playing Victor Von Doom with a full accent and zero smirk. The Russos brought him back as the villain, and that's a real swing worth watching.
Whether it lands depends entirely on whether the Russos keep Doom cold and theatrical, never winking at the audience. This is chapter one of a two-part reset leading into Secret Wars in 2027, so I'm cautiously in.
🍿 Suburbia meets the Cretaceous, and somehow nobody knows if that's a comedy
📆 Estreno: August 14, 2026
🎭 Género: #SciFi · #Survival · #Thriller
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David Robert Mitchell made his bones turning genre rules inside out, from 'It Follows' to the delirious neo-noir of Under the Silver Lake. Now, with Anne Hathaway clutching a porch rifle and Ewan McGregor in angel wings, he gets an $85M studio budget and dinosaurs in the front yard.
The tone question is the whole ballgame here. The posters scream dark comedy, the synopsis reads survival horror, and early screenings got laughs. Mitchell playing it straight would intrigue me more than a knowing wink. Either way, this is the most original blockbuster pitch of the summer.
🎬 The Magic School Bus is coming to theaters. And yeah, I have concerns.
Elizabeth Banks plays Ms. Frizzle, with Rob Letterman writing and directing at Legendary. That combo feels less like education and more like a $150M IP grab with a wacky costume budget.
The whole point of this franchise is taking kids on genuinely educational adventures through outer space, the human body, and beyond. Strip that out for quippy one-liners and a "believe in yourself" arc, and the bus is just a cool prop. History says don't hold your breath. 🎒
🍿 Pixar goes mob noir. In Venice. With cats. And it actually looks gorgeous.
📆 Estreno: March 5, 2027
🎭 Género: #Animation · #Comedy · #Adventure
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The trailer showcases a hand-painted animation style that feels like nothing Pixar has done in years, and that alone is enough to buy my attention. Director Enrico Casarosa returns to Italy after Luca, this time with a scrappy black cat named Nero tangled up in a feline mob.
The cast is led by Mark Ruffalo as Nero and Laurence Fishburne as Rocco, the mob boss. Fishburne doing a cat crime lord in an oil-painting Venice. I'm in. My only real question is whether the music angle gets the space it deserves, or ends up as window dressing on what is already a very full premise.
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🍿 Jackass: Best and Last. A farewell that reads like a confession.
📆 Estreno: June 26, 2026
🎭 Género: #Comedy #Stunts #Documentary
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Johnny Knoxville and director Jeff Tremaine know exactly what this is: a victory lap built on archive gold and a handful of new bits, with no pretense of passing the torch. The new cast isn't on the poster, and that's not an accident.
What made Jackass untouchable was never the stunts. It was a specific group of broken, fearless idiots who genuinely loved each other. The film mixes old and new footage, serving as a celebration of the whole franchise. You can't franchise that chemistry, and TikTok proved it by trying every day.
Those two empty spaces in the shopping cart poster hit harder than any stunt. Ryan Dunn was part of the original crew's DNA. This one's for him, for the era, and for knowing when to stop.
🍿 Supergirl hits HBO Max September 10. The discourse is already warming up.
📆 Estreno: September 10, 2026 (HBO Max)
🎭 Género: #Superhero · #SciFi · #DCU
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Milly Alcock is genuinely good casting. A jaded, punk-edged Kara with real bite, nothing like the blue-eyed scout of old. What drags the film down is everything around her: the script, the palette, that oppressive murky brown and yellow grade that makes every frame look like it was shot inside a diesel engine.
Director Craig Gillespie reportedly skipped Tom King and Bilquis Evely's source comic entirely before taking the job. It shows. The book's visual poetry is striking; the film's is not. Deliberately ignoring your source material isn't a bold creative choice, it's just hubris with receipts.Читать полностью…
🧠 Idiocracy turns 20. It was right about everything except the timeline.
Mike Judge gave President Camacho 500 years to emerge. We're speedrunning it in real time. The film's sharpest joke isn't the Brawndo ads or the toilet humor, it's that Camacho actually listened to an expert when it counted.
That's the detail that stings most in 2026. Idiocracy didn't predict collapse or dictatorship. It predicted a world that stays just functional enough to keep humiliating itself, and somehow that's the scarier outcome.
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🍿 Wile E. Coyote almost got deleted. He survived. And the movie is actually good.
📆 Estreno: August 28, 2026
🎭 Género: #Comedy · #Animation · #LiveAction
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Director Dave Green and Will Forte spent years watching Warners try to bury this thing for a tax write-off. It finally hits theaters, and people are laughing all the way through. Minor miracle.
On paper it sounds like a joke. Wile E. takes ACME to court. In practice the heart underneath is real, and you might walk out genuinely moved by a cartoon coyote. The live-action/animation blend earns its nod to Who Framed Roger Rabbit.
The movie that nearly didn't exist turns out to be exactly what you needed.
🍿 Ali G is back. Whether that's good news depends entirely on which Ali G you loved.
📆 Estreno: October 23, 2026
🎭 Género: #Comedy #Mockumentary
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Sacha Baron Cohen returns as Ali G, now 20 years older and thrown into TikTok culture. The self-aware conceit is genuinely funny. And yes, he directed it himself.
The real question is which version shows up. The early Ali G, who exposed establishment cluelessness brilliantly in 'Ali G Indahouse', or the later one who just leaned into the joke until the joke stopped landing. Picturehouse passing is noise. October 23 is the only verdict that counts.
🎬 Tim Curry is gone. There was nobody quite like him.
Tim Curry died August 26 at 80. Frank-N-Furter in 'The Rocky Horror Picture Show', Wadsworth in 'Clue', the Lord of Darkness in 'Legend'. Each role a complete performance, zero filler.
Post-stroke, the body slowed. The wit never did. That combination of theatrical precision and gleeful chaos is something film school can't teach and Netflix can't manufacture. RIP. 🎩
🍿 Into the Sky: the alien abduction romcom nobody knew they needed
📆 Estreno: September 17, 2026
🎭 Género: #SciFi · #Comedy
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A guy just wants his wife back. The aliens won't let him. That's the whole pitch, and honestly it sells itself. The premise is absurdist gold, but what makes it land is the casting: Sam Richardson is exactly the kind of actor who makes cosmic humiliation feel warm rather than mean.
If you slept on his Werewolves Within, fix that first. This feels like the same DNA: genre scaffolding, genuine heart, jokes that respect your intelligence. Premiering at Fantastic Fest, which tends to have good radar for this stuff.
🎬 Ready Player Two is happening, and honestly the book being terrible is the best news possible
Zak Penn is officially writing the sequel to 'Ready Player One', with Spielberg back as producer. Ernest Cline's second novel is, by near-universal agreement, a disaster. Wade becomes an insufferable tech-bro fantasy and the whole thing reads like Elon Musk fan fiction published in 2020.
Penn deviated from the first book too, and that's largely why the movie worked. Here he has an even stronger case for throwing out the source material and keeping only the skeleton. The IP is the playground, not the plot. Use it.
Street Fighter (2026): Jason Momoa is green. Very, very green.
📆 Estreno: October 16, 2026
🎭 Género: #Action · #VideoGame
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Kitao Sakurai directing a Street Fighter movie with Jason Momoa as Blanka is exactly the kind of casting that makes you tilt your head and just go with it. Andrew Koji as Ryu is the smarter choice on paper, and the Blanka vs. Ryu sequence has real momentum.
The rapid cutting is my main concern, but I'll reserve judgment. The "so-bad-it's-good" lane feels too comfortable for a property that deserves better. I want this to be legitimately fun, not accidentally.
🎬 Heat 2 is real. DiCaprio, Bale, Mann. November shoot.
After a year of difficult negotiations, DiCaprio and Bale are set to star in Michael Mann's sequel, filming starting in November. Bale takes Pacino's Vincent Hanna, DiCaprio steps into Kilmer's shoes as Chris Shiherlis.
Mann at 83 is taking this globe-trotting production to LA, Chicago, Paraguay, and Singapore. For a director whose last few films barely registered at the box office, this reads like a final, uncompromising statement. The sequel nobody thought would actually happen is happening.
🍿 Backrooms hits PVOD July 7. A24's biggest hit ever, made by a 20-year-old.
📆 Estreno: July 7, 2026 (PVOD)
🎭 Género: #Horror · #SciFi
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Kane Parsons was 16 when he uploaded a YouTube short about endless fluorescent hallways. Now he's the youngest director to open at number one at the global box office, with $330 million and A24's all-time record. The nightmare logic here isn't a gimmick; it's the whole engine.
Chiwetel Ejiofor grounds the disorientation with real weight, and the first two acts are genuinely suffocating. The third act wobbles, sure, but concept-driven horror lives and dies by atmosphere, and this one has it in spades.
❗️Hollywood might be facing its biggest disruption since CGI.
A film called Dreams of Violets is set to become the first fully AI-generated movie to premiere at a major festival. It reportedly cost just $2,000 and took two months to make. A similar film made the traditional way could have cost $2–5 million and required a large cast and crew.
Meanwhile, Amazon MGM Studios has started experimenting with AI-animated shows, though one project reportedly backed out after public backlash. That’s the big debate: supporters see AI as making filmmaking dramatically cheaper, while critics and unions worry it could replace thousands of creative jobs.
A movie for the cost of a used laptop instead of millions of dollars. Hollywood’s economics may never be the same.
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🎬 RIP Anthony Head, 72. One actor, two completely opposite souls.
Anthony Head built his legacy across four very different pillars: Rupert Giles in Buffy the Vampire Slayer, Uther Pendragon in Merlin, and Rupert Mannion in Ted Lasso. What gets me is the range. Giles: the warm father figure every lost kid deserved. Mannion: a smug, hollow villain you pitied as much as you despised.
His daughters confirmed he faced complications from pneumonia. He had also lost his longtime partner in 2025. And then there's Repo! The Genetic Opera, the cult gem that deserves its own tribute. Three very different careers in one. All of them real. 🕯
🍿 Nolan's Homer looks incredible. The poster, though? That's a different conversation.
📆 Estreno: July 17, 2026
🎭 Género: #Epic #Action #Fantasy
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Christopher Nolan shot this thing entirely on 70mm IMAX across Morocco, Greece, Iceland, and the open sea. With a $250 million budget, it's the most expensive film of his career and the first shot entirely on IMAX 70mm cameras. That ambition is real. But the IMAX logo on this poster is literally bigger than the title, and those medieval-looking warriors could be from any generic fantasy game cover. 🤨
Matt Damon as Odysseus, with Oppenheimer-level star power behind him. The faith is there. I just hope the film earns an identity as singular as its production. Turn up the subtitles either way.
🍿 Nolan clocks in at 2h 52m. For Homer's epic, that's actually... restrained.
📆 Estreno: July 17, 2026
🎭 Género: #Action · #Adventure · #Fantasy
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Nolan had already confirmed The Odyssey would be shorter than Oppenheimer. Most people braced for something around 2h20m. Getting 172 minutes on a mythic epic crossing the Mediterranean is genuinely surprising, and I mean that as a compliment.
The guy who made Dunkirk run just 106 minutes and still make it feel enormous knows exactly what he's doing with a runtime. Nolan doesn't pad; he compresses. At $250 million and shot entirely on IMAX 70mm film cameras, this already feels like a once-in-a-generation swing. Matt Damon as Odysseus, and I'm genuinely intrigued.